Summary
Editorial
Feature
Il y a autant de performances…
Du spectaculaire contre le spectacle : le dilemme de l’art performance
La performance est un dialogue agi
Étages
Quelques réflexions à propos de la performance
Constanza Camelo
James Partaik
RÉFLEXIONS SCHÉMATIQUES :
travail sur le temps réel en situation d’espaces itinérants, rayonnants et in situ
Diane Landry
Sylvie Tourangeau
Claude Lamarche
Rachel Echenberg
William Pope L.
Espace-temps en devenir
Victoria Stanton
Performer, c’est mettre son corps en exil
Philippe Côté
Daniel Olson
Nathalie Derome & Josée Tremblay
Pierre Beaudoin
John Boehme
Tagny Duff
Marie-Josée Dauphinais
Louise Dubreuil
Christiane Patenaude
Doyon / Demers
Sylvie Cotton
Interviews
Current Issue
Abstractions
Spring Summer 2025
Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.