Calls for Papers

Darkness

Issue 119

Upcoming Theme

Deadline: 1 September 2026

Essays of 1,500 to 2,000 words about the critical, political, theoretical, and poetic potential of darkness in contemporary art. We welcome propositions that discuss darkness as an optical element and that explore its more figurative dimension. Before submitting a text, please read the Editorial Policy and Protocol carefully.

Read the Call for Papers…
Submit a text

Home

Issue 120

Upcoming Theme

Deadline: 10 January 2027

Essays of 1,500 to 2,000 words. We invite authors to examine the complexities, shifts, and paradoxes of the idea of home, and to explore the concept of the house, with all its familiarity and instability. Before submitting a text, please read the Editorial Policy and Protocol carefully.

Read the Call for Papers…
Submit a text

Off-Features

Essays of 1,250 to 1,500 words (including notes) dealing with an issue or theme in contemporary art, or with recent artistic practices not related to the theme of an issue. Note that exhibition reviews are not included in this section. Before submitting a text, please read the Editorial Policy and Protocol carefully.

Submit off-feature

Reviews

Reviews of recent exhibitions, events, or publications (500 or 950-1,100 words). Before submitting a text, please read the Editorial Policy and Protocol carefully.

Submit review

Features

Off-Features

Reviews

Young Critics Competition

Submissions are currently closed!
Stay tuned for the unveiling of the finalists and laureate in September.

This competition is open to students registered in a bachelor’s or master’s program at a Canadian university (texts between 750 and 1,250 words).

Next Publication – 118

Deadline: 10 May 2027

Submit a text

Editorial Policy

Esse arts + opinions, published by Les éditions Esse, is a bilingual magazine focusing on contemporary art and multidisciplinary practices. The magazine favors critical analyses and essays on current practices, with texts that address art in relation to its context. Each issue features a thematic section accompanied by a portfolio of works, as well as non-thematic critical articles, columns and reviews of exhibitions, events and publications. The esse.ca platform, in addition to reproducing all of this print content, also publishes original digital articles on current artistic events, research residencies, round table recordings, as well as an archive of past issues of Esse.

Texts submitted to Esse are evaluated by an editorial board, which reserves the right to accept or reject them. Selection criteria are based on the quality of the analysis and writing, the relevance of the text to the theme, and the relevance and current interest of the chosen selection of works and artists.

An acknowledgment of receipt will be sent within 7 days of the deadline. If you have not been notified, please contact us to ensure your text has been received. A 6-week deadline is then required for the selection of texts or notes. The decision to reject a text is final. In view of the number of submissions received, the board cannot commit to commenting on unsuccessful submissions.

Authors are invited to submit texts on January 10, April 1, and September 1. Texts must be sent in DOCX or RTF format to [email protected]. Please include a short biographical notice (35 words) as well as your e-mail and mailing address.

The texts can be submitted for one of the following 3 sections:

1. Features
Essays of 1,500 to 2,000 words (including notes). The theme is made available online 4 to 6 months before the deadline: https://esse.ca/en/call-for-papers/. Persons wishing to first submit a note of intent (250-500 words) for the feature are invited to do so on a set date, i.e. January 10 (for the April 1 deadline), June 1 (for the September 1 deadline) and October 1 (for the January 10 deadline). No notes of intent will be read after this date. Authors who have not submitted a note of intent may nevertheless submit a completed text by the issue deadline.
2. Off-Features
Essays of 1,250 to 1,500 words (including notes) dealing with an issue or theme in contemporary art, or with recent artistic practices not related to the theme of an issue, excluding exhibition reviews. Given the limited space allotted to off-feature articles, final texts are requested for this section (notes of intent will not be considered). Please note that exhibition reviews are not included in this section. Submissions: January 10, April 1 and September 1.
3. Reviews
Coverage of recent exhibitions, events or publications (500 words, 3200-3700 signs, no footnotes), or 950-1100 words (one or two footnotes maximum). Given the short format, final texts are required for this section (notes of intent will not be considered). Submissions: January 10, April 1 and September 1.

Editorial Protocol

  1. Unless otherwise agreed with Les éditions Esse, the author agrees to submit an original and unpublished text.
  2. The author agrees to use artificial intelligence tools in an ethical manner and with integrity. Texts written primarily by artificial intelligence or resulting from research conducted entirely using artificial intelligence are not eligible for publication in Esse. In case of doubt, the editorial board reserves the right to reject any text suspected of being generated by artificial intelligence.
  3. Unless otherwise agreed, the board will not accept submissions that are a potential source of conflict of interest between the author and the subject covered (for example, submissions by artists about their own practice, submissions by curators of exhibitions or events, or submissions by an artist’s gallery).
  4. With due respect for the author’s vision and style, the editorial board reserves the right to request corrections of semantic or other nature: quality of language, general structure of the text, clarity, shortcomings, relevance of headings and subheadings, standards of composition.
  5. Texts accepted with conditions will be discussed between the author and the editorial board. If modifications are requested, the author will be given fifteen (15) days to make them.
  6. Authors agree to adopt a gender-neutral writing style and to use syntactic feminization procedures (doublet, medial point).
  7. All expenses for typographical correction of the author’s text will be assumed by Les éditions Esse, with the exception of author’s corrections, if any, which will be assumed by the author.

To submit a text: [email protected].