Summary

72

Curators

Spring / Summer 2011

The practice of curating is flourishing. A rising number of exhibiting institutions and events are inviting curators to mount shows in their venues. Ever since Harald Szeemann was credited with inventing the genre in 1972, the role of independent curator has indeed undergone enormous changes, along with the issues related to the task. Not only are curators are quite visible when their exhibitions are presented but they are also the subject of increasing theoretical investigation, which testifies to the practice’s in-depth transformations. This themed section explores current curating conditions, in particular how the limits of artistic artmaking and exhibition as gestures are being redefined.

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Agriculture

Winter 2024

Breaking sedimented divisions between rural and urban, this issue centres agricultural imaginaries and human-soil relations that challenge us to rethink our understanding of agriculture, its relation to histories of colonization, and the futures of agroecology, as well as our connection to land itself.

Cover: Mériol Lehmann
Les foins
Photo: Marine Fleury, courtesy of the artist

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