Summary
81
Being Thirty
Spring / Summer 2014
For this 30th anniversary issue, we have departed from our usual thematic section to give carte blanche to a number of authors to examine twenty-first-century works or practices that have particularly caught their eye. Rather than merely ranking the best works of the past decade, the essays reveal the plurality of voices and forms of writing on art today—just like the practices that they describe. This issue paints a diverse portrait of art and art criticism as practised in 2014—an adventure in images and words, a brief but exciting voyage into the world of a dozen curators.
Editorial
Feature
Contemporary Art Stars:
Lessons from the Rankings
“That too was”: Darkness in the Work of Nicolas Baier
Staging the Institution and the Politics of the Performative
Performing the Document: New Political Theatricalities
Giving Away Time: On David Claerbout’s Shadow Piece
Historical Time Ecologized
Letter on the Present
Visual Arts and Music in Counterpoint
Heuristic Categorizations: Contemporary Aboriginal Art in Québec
Portfolios
Columns
Reviews
Current Issue
Tourism
Spring Summer 2024
Because it is essential for it to be open to the world, art is particularly affected by concerns related to planetary travel. From a position at the intersection of contemporary art, leisure, ecology, and destination culture, Esse no. 111 observes artists’ and critical thinkers’ strategies for revisiting the very notion of tourism. Although the harmful impacts of the tourism industry are beyond question, the thematic section avoids falling prey to tourismphobia and simply pointing out its failures. Rather, this issue offers a guided tour of situations and places where art and tourism converge.