Summary
105
New New Age
Spring Summer 2022
Over the last few years, the occult has made a stunning comeback in art, manifested through a re-appropriation of esoterism, a holistic and beneficial approach, and a desire for social and ecological justice. The works in the portfolio New New Age stand out for their powerful intention to re-enchant the world, recognize the agency of matter, and campaign against the destruction of Earth and for all living things, by exploring what is luminous and performative in this philosophy and its rituals.
Editorial
Feature
Hectic cycles. A conversation with Chrysanne Stathacos
Drawing Down the Moon
New Symbologies: Symbols and Spirits in Works by Julian Yi-Zhong Hou and Zadie Xa
Mine, Mine, Mine, Heal, Heal, Heal
Creative Conjuring, Ritual, and Place: Amanda Amour-Lynx’s Skite’kmujuawti in Conversation with the Works of James Gardner, Alana Bartol, and Jamie Ross
Correspondences and Undecidable Occult in Contemporary Art
Fabrice Samyn: Where Mystic Materiality Meets Subconscious Projections
Portfolios
Columns
Reviews
Videos
Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona