Collectives Without Consensus?
104
Collectives
This issue examines how working collectively problematizes power relations within art institutions and groups and how this affects the implementation of less hierarchical structures. Given the urgent need to act, in a world where a state of emergency has become permanent, laboratories of social action, interdisciplinary research groups, and international discussion forums are forming on the margins of the art field. Seeking alternative forms of “being together,” these new collectives are reviving the concerns of several decades of shared creation.
Summary
Editorials
Features
The Shared Condition of Individual Thought
No One Gives a F**k About a Cop and Fredy: Conveying the Voices of the Collectivity
Toward an Ecology of Practices: The Research Group as Artist
Imagining Otherwise: The Indigenous Curatorial Collective on the Expansive Possibilities of Collective Work
Curating the School
Talking Cure: Dialogue as Collaborative Resistance
Portfolios
Columns
Reviews
Current Issue
New New Age
Over the last few years, the occult has made a stunning comeback in art, manifested through a re-appropriation of esoterism, a holistic and beneficial approach, and a desire for social and ecological justice. The works in the portfolio New New Age stand out for their powerful intention to re-enchant the world, recognize the agency of matter, and campaign against the destruction of Earth and for all living things, by exploring what is luminous and performative in this philosophy and its rituals.
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