Summary

81

Being Thirty

Spring / Summer 2014

For this 30th anniversary issue, we have departed from our usual thematic section to give carte blanche to a number of authors to examine twenty-first-century works or practices that have particularly caught their eye. Rather than merely ranking the best works of the past decade, the essays reveal the plurality of voices and forms of writing on art today—just like the practices that they describe. This issue paints a diverse portrait of art and art criticism as practised in 2014—an adventure in images and words, a brief but exciting voyage into the world of a dozen curators.

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Image de la couverture du numéro Esse 114 Abstractions.

Current Issue

Abstractions

Spring Summer 2025

Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.

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