Summary
83
Religions
Winter 2015
With the powerful resurgence of religion in current socio-political and philosophical debates, esse explores its echoes in the field of the visual arts. Following recent discussions on the place of religion in contemporary art, this issue examines how artists are responding to this question. The artists whose work is featured in this issue—who create fictional works with a critical or humorous slant; borrow, subvert, or combine religious codes; make direct or symbolic references; or reproduce certain rituals—address the theme of religion through situations that reveal the nature of its current significance.
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Abstractions
Spring Summer 2025
Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.