Unframed Landscape
88 – Landscape
Landscape
While the classic conception of landscape presumes that nature is stable, permanent and harmonious, and the romantic vision distinguishes nature as a chaotic force; in contrast, current artistic practices seem to explore the reciprocal effects generated by the dynamic interaction between humans and matter. This issue revisits the notion of landscape as an artistic genre in the contemporary artistic context.
Summary
Editorials
Features
The Landscape, a Counternature: An Interview with Anne Cauquelin
Landscape Photography and its Temporal Register
Nature, Time, and the Anthropocene: Julius von Bismarck’s Landscape Painting
Kendra Wallace: The Field of Appearances
It Takes Work to Get the Modern Lawn
Perambulating, Wandering, Fleeing. A Few Notes on Mobile Landscapes
The Jungle of the Esperados
I see nothing but the sun, which makes a dust…Landscape in the Worksof Ludovic Sauvage
The Garden in All its States: Les paradis de Granby
Portfolios
Columns
Reviews
Young Critics
Current Issue
New New Age
Over the last few years, the occult has made a stunning comeback in art, manifested through a re-appropriation of esoterism, a holistic and beneficial approach, and a desire for social and ecological justice. The works in the portfolio New New Age stand out for their powerful intention to re-enchant the world, recognize the agency of matter, and campaign against the destruction of Earth and for all living things, by exploring what is luminous and performative in this philosophy and its rituals.
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