Summary
78
Hybrid Dance
Spring / Summer 2013
The hybridization of dance and visual arts has played a significant role in the emergence of today's new artistic practices. Hybrid Dance theme gives centre stage to works emerging from collaborations between artists, choreographers, and dancers that have given rise to new objects, expressive forms, and practices. This issue confirm the long-standing interest of esse in practices whose scope lies beyond that of the visual arts.
Editorial
Feature
A Cross-poetics of the Body and the Image
Dance and the Visual Arts in the Digital Era
Julie Favreau: Choreographic Performance
Art as Lore. The Choreographies and Performances of Latifa Laâbissi
What’s Dance Got to Do With It?
Fake It Till You Make It !
Laying a Hand on a Thigh. And Doing Nothing More.
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Off-Features
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Reviews
Current Issue
Abstractions
Spring Summer 2025
Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.