Summary
84
Exhibitions
Spring Summer 2015
In recent decades, numerous artists have rethought the relationship between the artwork and the exhibition, notably by treating the latter as a medium or device. Liberated from being simply a means of display, the exhibition has become an artwork in itself. This issue as a whole thus highlights artists and curators who are working in common to expand the boundaries of the exhibition and offer spectators a very different experience. As a complement to this section, we are publishing a series of articles on the presence of Québec artists at the Venice Biennale and the Havana Biennial.
Editorial
Feature
Exhibition : What Makes an Exhibition Within an Exhibition?
In search of a canon of exhibitions
The Period Room: Tomorrow’s Version
Scenes from the House Dream : The Exhibition as Oneiric Scene
Notes On Curating Autobiographical Art
Circulation et contradiction dans Furnishing Positions d’Adrian Blackwell
Curating-Art: the case of Willem de Rooij
Interviews
Current Issue
Plastics
Winter 2025
Analyzing plastic in the field of art runs the risk of raising many environmental dilemmas. Far from extolling plastic yet without denying its utility, this issue is interested in our ways of coexisting with synthetic material in order to evaluate the consequences and seek alternative solutions and to claim a kinship with what gives this material its glory: its plasticity, which expresses the power both to receive and to give form.
Cover: Dan Lam
Nibble, 2020.
Photo: courtesy of Dan Lam Studio, Dallas