Summary
78
Hybrid Dance
Spring / Summer 2013
The hybridization of dance and visual arts has played a significant role in the emergence of today's new artistic practices. Hybrid Dance theme gives centre stage to works emerging from collaborations between artists, choreographers, and dancers that have given rise to new objects, expressive forms, and practices. This issue confirm the long-standing interest of esse in practices whose scope lies beyond that of the visual arts.
Editorial
Feature
A Cross-poetics of the Body and the Image
Dance and the Visual Arts in the Digital Era
Julie Favreau: Choreographic Performance
Art as Lore. The Choreographies and Performances of Latifa Laâbissi
What’s Dance Got to Do With It?
Fake It Till You Make It !
Laying a Hand on a Thigh. And Doing Nothing More.
Portfolios
Off-Features
Columns
Reviews
Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona