Summary
59
Bruit
Winter 2007
With a connotation that is more negative than that of sound, noise is generally perceived as a nuisance, a parasitic element that insinuates itself within a system to spread disorder. This issue aims to deepen the reflection on the notion of noise in current art, the specific form of exploiting sonorous material evident in the work of an increasing number of artists. Including portfolios by Christof Migone, Jean-Pierre Gauthier, and Jocelyn Robert.
Editorial
Feature
Le bruit est-il soluble dans l’art ?
Bruit de fond
Les politiques du bruit : le festival City Sonics de Mons
Esthétique du bruit : le double jeu Esthétique du bruit : le double jeu
La musique du dehors : notes sur la phonographie
Bruissements des flux : Paysages sonores de Belsunce.
Quand y a-t-il bruit ?
Sons, bruits et musique dans la perspective des musiques actuelles
Le bruit
Portfolios
Off-Features
Columns
Reviews
Young Critics
Current Issue
Tourism
Spring Summer 2024
Because it is essential for it to be open to the world, art is particularly affected by concerns related to planetary travel. From a position at the intersection of contemporary art, leisure, ecology, and destination culture, Esse no. 111 observes artists’ and critical thinkers’ strategies for revisiting the very notion of tourism. Although the harmful impacts of the tourism industry are beyond question, the thematic section avoids falling prey to tourismphobia and simply pointing out its failures. Rather, this issue offers a guided tour of situations and places where art and tourism converge.