Summary
101
New Materialisms
Winter 2021
By emphasizing the expressiveness of matter, its dynamism and its agentivity, neo-materialist theories distinguish themselves from classical materialist philosophy, which tends to perceive matter as being essentially passive and inert. This feature reflects on the reconfiguration of matter in the light of social, political, artistic and scientific practices that are no longer confined to the human spectrum, but concern the whole of "life," including the "non-living."
Editorial
Feature
The Ethics of Material Visibility
Monstrous Matter
A Many-Handed Practice
Cannibal Actif: The Artist Book as Threshold for Material Encounters
Material Expressivity in Active Materials
Beyond the Image: When the Materiality of the Photograph Eclipses Representation
Zero Sum: Kristiina Lahde’s Systems of Objects
Sinks and Spills: The Containment and Entanglements of Matter-Bodies in Frédéric-Back Park
Portfolios
Columns
Reviews
Videos
Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona