Summary
92
Democracy
Winter 2018
Esse proposes a critical reflection on the concept of democracy in order to explore its inherent contradictions and its real lived fallout, as well as the role that art can play within it. By bringing together multiple, open, and possibly divergent positions, the feature section addresses the urgent need to better understand art’s role in the current political context in order to potentially foster a desire to participate in a new democracy.
Editorial
Feature
Democracy Without Guarantees
Democratic Art
The Gift of Listening: From Speakers to Listening Agents
Probing the Body Politic: Limits, Memory, and Anxiety in Art after Democracy Can no Longer be Assumed
(Re)Negotiating Every. Now. Then‘s Invisible Centre: Institutional White Spatiality
To Walk Together: Democracy in Movement?
Multitudes, Swarms, Communities1
Portfolios
Off-Features
Columns
Reviews
Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona