Summary
59
Bruit
Winter 2007
With a connotation that is more negative than that of sound, noise is generally perceived as a nuisance, a parasitic element that insinuates itself within a system to spread disorder. This issue aims to deepen the reflection on the notion of noise in current art, the specific form of exploiting sonorous material evident in the work of an increasing number of artists. Including portfolios by Christof Migone, Jean-Pierre Gauthier, and Jocelyn Robert.
Editorial
Feature
Le bruit est-il soluble dans l’art ?
Bruit de fond
Les politiques du bruit : le festival City Sonics de Mons
Esthétique du bruit : le double jeu Esthétique du bruit : le double jeu
La musique du dehors : notes sur la phonographie
Bruissements des flux : Paysages sonores de Belsunce.
Quand y a-t-il bruit ?
Sons, bruits et musique dans la perspective des musiques actuelles
Le bruit
Portfolios
Off-Features
Columns
Reviews
Young Critics
Current Issue
Plastics
Winter 2025
Analyzing plastic in the field of art runs the risk of raising many environmental dilemmas. Far from extolling plastic yet without denying its utility, this issue is interested in our ways of coexisting with synthetic material in order to evaluate the consequences and seek alternative solutions and to claim a kinship with what gives this material its glory: its plasticity, which expresses the power both to receive and to give form.
Cover: Dan Lam
Nibble, 2020.
Photo: courtesy of Dan Lam Studio, Dallas