Summary
86
Geopolitics
Winter 2016
How do the natural and political phenomena that are helping to redefine traditional geographical boundaries reverberate in the visual arts? In this issue, esse addresses the many ways in which geopolitical science views transversal relationships between power and domination, observing the opposing forces that are reshaping the global landscape today.
Editorial
Feature
Architecture of Network vs. Geometry of Separation
After Cognitive Mapping
The Surveillance Economy: Toward a Geopolitics of Personalization
Offshore Havens and Supra-Jurisdictional Space
Surviving Beyond The Green Line
(Im)possible Bouquets
Jimmie Durham: Decentring the World
Reading Contrapuntally: Geronimo Inutiq’s ARCTICNOISE
Portfolios
Off-Features
Columns
Reviews
Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona
