Summary
60
Canular
Spring / Summer 2007
This issue underscores the great diversity of art practices that make use of or that are proximate to the hoax. At times stinging and at other times amusing, the minor and significant impostures presented herein trace the portrait of yet another irreverent attitude that is often prized in the art world and that sometimes still manages to rouse shock.
Editorial
Feature
Du canular considéré comme un des beaux-arts
Tout ça ne nous rendra pas la vérité
Sur les traces de Joseph Wagenbach
Blair Witch Project, Da Vinci Code : attrapes touristes
Robert Morin persifleur contemporain
Rechercher Victor Pellerin : un canular manqué ?
La Matière chante : fausses notes
Ludisme et ambiguïté dans le canular contemporain
Dévoiler le pot aux roses !
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Abstractions
Spring Summer 2025
Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.