Summary
93
Sketch
Spring Summer 2018
These various modes, which we convene under the term sketch, have a common preparatory function and consequently, a status of incompletion. The sketch leads to a wide range of strategies and gives rise to new research on the materiality, temporality, and spatiality of a work. To do this, it still takes the traditional route of drawing, painting, and sculpture, and sometimes of new technologies, while also referring to the outline of a movement or a brief posture. Therefore, we designed this issue to reflect the abundance of possibilities and deliberately break away from an essentially discipline-based approach to drawing, focusing instead on the creative intention found in the sketch and the fluctuations of its outcomes.
Editorial
Feature
Drawing Lines
The Sketch Artist: Interview with François Morelli
Drawing Inuit Satiric Resilience: Alootook Ipellie’s Decolonial Comics
The Sketch in the Work of Frances Stark, Jacolby Satterwhite, and Sue Tompkins
Sketchy Machines: Propositions Around Three Robotic Artworks
Praxis of the Unfinished
Being Brief
Portfolios
Columns
Reviews
Current Issue
Plastics
Winter 2025
Analyzing plastic in the field of art runs the risk of raising many environmental dilemmas. Far from extolling plastic yet without denying its utility, this issue is interested in our ways of coexisting with synthetic material in order to evaluate the consequences and seek alternative solutions and to claim a kinship with what gives this material its glory: its plasticity, which expresses the power both to receive and to give form.
Cover: Dan Lam
Nibble, 2020.
Photo: courtesy of Dan Lam Studio, Dallas