Massimo GuerreraDomus (Les résonances des plateformes), 2017.
Photo : courtesy of the artist

Massimo views his sketches as artworks in their own right. He compares them to a “support language” that opens out to the continuous refinement that occurs between media. Within his installations, they are poetic carriers that indicate his chosen paths.

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This article also appears in the issue 93 - Sketch

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