Summary

68

Sabotage

Winter 2010

The dossier presented here addresses the diverse forms of sabotage perpetrated by artists, both within and outside of the art world. To experiment with the concepts explored in these pages, we’ve decided to play the same game and to sabotage issue no. 68, thereby shaking up the aesthetic comfort into which a magazine can all too easily settle. Including 3 portfolios.

Editorial

Feature

Portfolios

Off-Features

Columns

Reviews

Young Critics

Current Issue

Abstractions

Spring Summer 2025

Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.

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