Summary
58
Extimité ou le désir de s’exposer
Fall 2006
[In French] Reality TV, personal webcam sites, and the more recent phenomenon of blogs are all platforms where individuals stage certain aspects of their intimacy. This issue deals with the theme of “extimité” from two distinct perspectives: on the one hand according to Serge Tisseron’s definition, that is to say as an intimacy that has been exteriorized and displayed with more or less reserve; on the other hand, on focusing instead on the showing of the self in the varying contexts of the self’s staging.
Winner 2007 Magazine category, Grafika competition
Editorial
Feature
Les nouveaux visages de l’extimité : l’artiste et le délinquant
Big Mother : la webcam comme terminal relationnel
Le modèle artistique n’est plus une référence
L’art en famille : description d’un enfermement
S’exposer dans le monde : l’image vidéo et la représentation de soi
Le retour du je politique : quelques réflexions sur
le travail de Tanja Ostojic
L’autoportrait en suicidé : la tentative réussie de l’autofiction
Mensonges de l’autoportrait : mirages d’un projet autobiographique
Tout embrasser (encore) : entretien avec Raymonde April
Gérald ou la vie d’artiste
Off-Features
Columns
Reviews
Current Issue
Abstractions
Spring Summer 2025
Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.