Summary
69
bling-bling
Spring / Summer 2010
Excess, exuberance, cheap knockoffs, and kitsch have literally invaded pop culture. Symptomatic of the trend, the term bling-bling seems especially suited for dealing with these artistic productions. First connected with hip-hop, the term has been taken up either to describe some conspicuous behaviour on the art scene, or to qualify works that employ overstated, flashy materials. The approach to bling-bling taken in this issue then, while offering an analysis of its particular aesthetics, affords varied reflections on different so-called “bling-bling” attitudes in contemporary society.
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The Artistic Bling-bling: From Flashy
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Abstractions
Spring Summer 2025
Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.