Summary
91
LGBT+
Fall 2017
Following our last issue, on the theme of feminisms, the feature continues with our reflection on the question of gender and sexuality by delving into practices and theories of artists who seek to transcend the idea of a binary, patriarchal society that is heteronormative and cisnormative. It explores, among other issues, the strategies deployed by artists to make LGTB+ communities visible and makes the multiplicity of voices on the margin of the patriarchal regime of knowledge production heard.
Editorial
Feature
In Homonational Times: Nationalist Mythology and LGBT Inclusivity
Islamicate Sexualities: the Artworks of Ebrin Bagheri
PosterVirus: Views from the Street
Invisible as One and Many: The Mirror Drawings of Anthea Black and Thea Yabut
Black Queer Grief in Michèle Pearson Clarke’s Parade of Champions
Peeling Objects for Queer Play
Portfolios
Columns
Reviews
Young Critics
Current Issue
Abstractions
Spring Summer 2025
Yet what about abstraction today? Long confined to formalist and self-referential imperatives, abstraction has gradually freed itself from the modernism yolk to recapture its evocative power. This issue proposes to turn away from the dogma of Abstraction as a historical genre to consider its various plastic and semantic avenues. In this invitation to explore abstractions, we wish to re-establish a dialogue between content and form, between the political and the poetic, by engaging with works that evoke reality differently. Whether they are qualified as abstract, non-figurative, or non-objective, these works certainly tell us stories.