Summary

91

LGBT+

Fall 2017

Following our last issue, on the theme of feminisms, the feature continues with our reflection on the question of gender and sexuality by delving into practices and theories of artists who seek to transcend the idea of a binary, patriarchal society that is heteronormative and cisnormative. It explores, among other issues, the strategies deployed by artists to make LGTB+ communities visible and makes the multiplicity of voices on the margin of the patriarchal regime of knowledge production heard.

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Current Issue

Crip

Spring Summer 2026

While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.

Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona

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