Feminism’s Myriad Figures
Summary
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Feminisms
Spring Summer 2017
Our spring issue looks at the unique relationships between art and feminisms. Taking into account the multiplicity of women’s subjectivity and heterogeneity, Feminisms explores how art practices and theories help to deconstruct the oppressions and limitations associated with gender. Focussing on female and feminist art practices—militant or not—from various communities, the protests, standpoints, and affirmations come in as many forms as the artists are diverse: subversion, uprising, reconsideration of gender archetypes and heteronormativity, post-colonial feminist theory, revival of ancestral practices, representation of the self, and conscious and assumed use of seduction are among the many ways of expressing, again, the necessity of feminisms.
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Current Issue
Crip
Spring Summer 2026
While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.
Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona