Summary
85 – Taking a Stance
Taking a Stance
Fall 2015
Few critics have yet dared to challenge the intellectual power assumed by certain institutions and forums that shape artistic trends and condition the discourses. esse opens the debate on the forms and conditions at play when taking a critical stance in the world of contemporary art today. What does art criticism imply in today’s context?
Editorial
Feature
Kunstgriff: Art as Event, Not Commodity
Fashionably Late
Critical Distances
Resemblance, Doubt, and Ruin
When Images Take a Position: Didi-Huberman’s Brechtian Intervention
Critical Art, Critical Sense, and Receptivity
Reel-Unreel, by Francis Alÿs
Indigenous Voices and White Pedagogy
Self-Determination When Cash Rules Everything Around Us
Portfolios
Off-Features
Columns
Reviews
Young Critics
Current Issue
Agriculture
Winter 2024
Breaking sedimented divisions between rural and urban, this issue centres agricultural imaginaries and human-soil relations that challenge us to rethink our understanding of agriculture, its relation to histories of colonization, and the futures of agroecology, as well as our connection to land itself.
Cover: Mériol Lehmann
Les foins
Photo: Marine Fleury, courtesy of the artist