Summary

63

Mutual Actions

Spring / Summer 2008

This issue proposes a reflection on two distinct yet overlapping phenomena: interactivity – which refers primarily to the relation between the individual and the machine, particularly in technological artworks requiring the spectator’s participation – and interaction, which instead calls to mind a relationship between individuals, specifically between the artist and members of the public, and is made evident in multimedia and video works, web art, and participative works.

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Current Issue

Crip

Spring Summer 2026

While “handi” (short for the term “handicapé” in French) and “crip” (derived from “cripple,” meaning “disabled”) are diminutive forms of stigmatizing terms, the meaning we ascribe to them is by no means reductive. On the contrary, they carry a political weight that provides those who embrace them with a powerful tool for empowerment, offering disabled artists non-normative ways for articulating the strange temporalities of disabled experience and alternative ways for navigating an ableist art world. In this issue, we are interested precisely in this work of social, political, and cultural transformation, and we focus on the ways in which crip authors and artists address the different challenges they face.

Cover: Hac Vinent
Accident, exhibition view, Fundació Joan Miró, Barcelona, 2024.
Photo: Roberto Ruiz, courtesy of the artist & ADN Galeria, Barcelona

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