
Photo : Justin Wonnacott / SAW
July 19 — September 28, 2019
As the first exhibition presented at the newly renovated and remodelled SAW Gallery, Sex Life: Homoeroticism in Drawing proposes timely ethical considerations of intimacy, pleasure, and the erotic. Bringing together a diverse group of artists and works, Sex Life proposes an alternative reading of the commonly used term “life drawing.” The exhibition does not merely offer mimetic representations of the homoerotic body that are meant to be admired at a comfortable, neutral distance. Instead, we are invited to explore tensions between the everyday and the surreal, thus entering into an expanded field of drawing.

Crash Pad, 2017, installation view, SAW Gallery, Ottawa, 2019.
Photo : Justin Wonnacott / SAW
Yet Sex Life is uninterested in overcoming or transcending the ordinary, the commonplace, and the mundane by constructing new queer utopias. In the midst of a supposedly post-Stonewall, post-AIDS, post-marriage historical moment, the exhibition highlights the ways in which the contemporary political landscape is shaped by conservative readings of the body and its capacity for pleasure. As a response, the artists on display construct scenes of queer worldmaking that visualize impenitent lust and bodily excess. Dave Cooper’s graphite works, for example, present sprawling cartoon worlds governed by a sense of radical intimacy and sexual liberation. Elsewhere, we happen upon drawings by Zachari Logan and Mia Sandhu that picture identifiably homoerotic imagery in harmony with the natural world. In these representations of unrepressed sexuality, everyday life is imbued with a sense of fantasy that inspires modes of thinking beyond normative sociality. Put differently, alternative realities are imagined through the lens of queer desire.
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