57 – Signatures

Spring / Summer 2006

As a sign of authenticity, the signature indicates the artwork’s origin. It has always permitted the artist to assert his or her singularity and has stood both as evidence and a point of reference for the grounding of aesthetic judgments. This issue appeals to reflections on the multiple ways of identifying or signing a work or to the artistic process itself, what we can call the new forms of signatures, and includes the portfolio of Carl Trahan.

Coupe and Applied Arts Magazine Prize for Graphic Design, 2006 – Magazine category

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