The walls of a small room are covered with white pegboard. The floor of the room has different shades of yellow. A white table is in the center of the room. A yellow measuring tape is on top of it. Above the table, a cabinet made of white pegboard is attached to the wall. A drawing of an airplane and an illustration of Jesus are on top of the cabinet. To the left of the table, three life-size photographs of wooden crutches and an hourglass are leaning against the wall. To the right of the table, there is a life-size photograph of a pair of shoes, a blue box, and an image of the globe.
David Elliott Crutches & Jesus, 2026.
Photo: courtesy of the artist

Crippled Chronicles

David Elliott
“I remember when polio was the worst thing in the world.” 
— Joe Brainard1 1 - Joe Brainard, I Remember (New York: Granary Books, 2001), 1.

These days, people don’t even know what polio means, yet, at its peak in the 1940s and 1950s, it would paralyze or kill over half a million people worldwide every year. Polio, which I contracted in 1953, left me with no muscles in my lower limbs, so, essentially, I walked with my arms for most of my life. Each morning, I would put on heavy, orthopedic shoes, buckle leather and metal braces to my legs, and leverage myself out of bed with my crutches. There were no special needs services, at least not where we lived. I went to the local schools and was determined to try to do what everyone else was doing. A hyper-developed upper body allowed me to walk, climb stairs, swim, travel, study. I became an artist and teacher. In some ways, I acted as if I didn’t have a handicap at all. I just needed to do things differently, be more driven, work a little harder. By the mid-1980s my wife and I were raising four children and renovating a house, while I was rotating between teaching gigs at three different schools and making paintings that were ten feet high and sixteen feet wide. In your thirties, you feel like you can do anything.

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This article also appears in the issue 117 - Crip
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