{"id":182269,"date":"2023-01-01T18:50:00","date_gmt":"2023-01-01T23:50:00","guid":{"rendered":"https:\/\/esse.ca\/?post_type=portfolio&p=182269"},"modified":"2023-02-02T13:39:12","modified_gmt":"2023-02-02T18:39:12","slug":"zinnia-naqvi","status":"publish","type":"portfolio","link":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/","title":{"rendered":"Zinnia Naqvi<\/strong>"},"content":{"rendered":"\n

La pratique artistique de Zinnia Naqvi est travers\u00e9e par les archives familiales, le dialogue interg\u00e9n\u00e9rationnel et la politique de l\u2019appartenance. Ses images qui rel\u00e8vent principalement de l\u2019art photographique \u00e9voquent l\u2019intimit\u00e9 des souvenirs de famille qu\u2019on ch\u00e9rit et les valeurs qu’ils illustrent. Dans la s\u00e9rie Past and Present<\/em> II<\/em> (2012-2015), l\u2019artiste explore la construction interg\u00e9n\u00e9rationnelle de l\u2019identit\u00e9 au sein des familles immigrantes. Des photos appari\u00e9es s\u2019offrent \u00e0 la comparaison\u2009; \u00e0 des images d\u2019archives de parents dans leur pays d\u2019origine sont juxtapos\u00e9es des sc\u00e8nes identiques reconstitu\u00e9es par leurs enfants au Canada quelques d\u00e9cennies plus tard. La s\u00e9rie ne r\u00e9v\u00e8le pas seulement des \u00ab airs de famille \u00bbqui les unit : elle sugg\u00e8re que le foss\u00e9 culturel, spatial et temporel entre pays d\u2019origine et pays d\u2019accueil peut \u00eatre combl\u00e9 par la relationnalit\u00e9 interg\u00e9n\u00e9rationnelle.<\/p>\n\n\n\n

Dans la s\u00e9rie Dear Nani<\/em> (commenc\u00e9e en 2017), ancr\u00e9e elle aussi dans les archives familiales, l\u2019artiste aborde les th\u00e8mes de la performance de genre et du mim\u00e9tisme colonial. Ce qui avait d\u00e9but\u00e9 en 2017 par une installation s\u2019est transform\u00e9, durant la pand\u00e9mie, en deux livres photos (fran\u00e7ais et anglais). Dans les deux versions du projet, des photos prises par son grand-p\u00e8re maternel, Nana, montrent sa grand-m\u00e8re maternelle, Nani, posant dans les habits de son \u00e9poux durant leur lune de miel au Pakistan en 1948. Elle tient le Children\u2019s Dictionary<\/em> (ouvrage destin\u00e9 aux sujets de la colonie britannique) dans un portrait o\u00f9 s\u2019entrem\u00ealent performativit\u00e9 culturelle et de genre. Dans ce qui ressemble \u00e0 une mise en abyme sans fin, Naqvi personnifie sa grand-m\u00e8re personnifiant son mari personnifiant un Britannique. Ce qui s\u2019av\u00e8re un dialogue purement fictif est pour l\u2019artiste une fa\u00e7on de remplir les cases vides.<\/p>\n\n\n\n

Dans Yours to Discover<\/em> (depuis 2019), Naqvi plonge \u00e0 nouveau dans ses archives. Cette fois, elle cr\u00e9e des installations qui associent des photos de famille prises en Ontario devant des sites embl\u00e9matiques (chutes Niagara, Tour CN, jardins Cullen) \u00e0 un assemblage de jeux d\u2019enfants et de soci\u00e9t\u00e9. L\u2019artiste s\u2019interroge ici sur les valeurs \u00e9ducatives inh\u00e9rentes aux deux activit\u00e9s tout en analysant ce que signifie r\u00e9ellement \u00ab\u2009adopter un mode de vie canadien\u2009\u00bb. Sa d\u00e9marche artistique tout enti\u00e8re t\u00e9moigne des histoires et de la r\u00e9silience des familles migrantes.<\/p>\n\n\n\n

Traduit de l\u2019anglais par Margot Lacroix<\/strong><\/p>\n\n\n\n

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Zinnia Naqvi<\/strong>
Tonya Campbell, Pickering, ON. 2012<\/em> ; Andrea Farrell, Fontabelle, Barbados, 1973<\/em>, de la s\u00e9rie Past and Present<\/em>, 2012-2015.
Photo : permission de l\u2019artiste<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Zinnia-Naqvi-Self-Portrait-With-Nani-In-The-Garden\"
Zinnia Naqvi<\/strong>
Self-portrait with Nani in the Garden<\/em>, 2017, de la s\u00e9rie Dear Nani<\/em>, 2017 \u2013 en cours.
Photo : permission de l\u2019artiste<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Zinnia-Naqvi-Continuous-Journey\"
Zinnia Naqvi<\/strong>
Continuous Journey<\/em>, 2019, de la s\u00e9rie Yours to Discover<\/em>,
2019 \u2013 en cours.
Photo : permission de l’artiste & Pierre-Fran\u00e7ois Ouellette art contemporain, Montr\u00e9al<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Zinnia-Naqvi-A-Settlers-Dilemma\"
Zinnia Naqvi<\/strong>
A Settler\u2019s Dilemma<\/em>, 2019, de la s\u00e9rie Yours to Discover<\/em>,
2019 \u2013 en cours.
Photo : permission de l’artiste & Pierre-Fran\u00e7ois Ouellette art contemporain, Montr\u00e9al<\/figcaption><\/figure>\n<\/div>\n<\/div>\n
Jo\u00eblle Dub\u00e9, Zinnia Naqvi<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":15,"featured_media":182284,"template":"","meta":[],"categories":[134],"numeros":[5498],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[290],"artistes":[1750],"type_portfolio":[],"yoast_head":"\nZinnia Naqvi – Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zinnia Naqvi\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-02T18:39:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/esse.ca\/wp-content\/uploads\/2023\/01\/107_PF03_Dube_Zinnia-Naqvi_VanajaGaneshanKondavilJaffnaSriLanka-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"924\" \/>\n\t<meta property=\"og:image:height\" content=\"601\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@revue_esse\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Zinnia Naqvi – Esse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/","og_locale":"fr_FR","og_type":"article","og_title":"Zinnia Naqvi","og_url":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2023-02-02T18:39:12+00:00","og_image":[{"width":924,"height":601,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2023\/01\/107_PF03_Dube_Zinnia-Naqvi_VanajaGaneshanKondavilJaffnaSriLanka-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/","url":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/","name":"Zinnia Naqvi – Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2023\/01\/107_PF03_Dube_Zinnia-Naqvi_VanajaGaneshanKondavilJaffnaSriLanka-1.jpg","datePublished":"2023-01-01T23:50:00+00:00","dateModified":"2023-02-02T18:39:12+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/esse.ca\/portfolio\/zinnia-naqvi\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2023\/01\/107_PF03_Dube_Zinnia-Naqvi_VanajaGaneshanKondavilJaffnaSriLanka-1.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2023\/01\/107_PF03_Dube_Zinnia-Naqvi_VanajaGaneshanKondavilJaffnaSriLanka-1.jpg","width":924,"height":601,"caption":"Zinnia NaqviVanaja Ganeshan, Kondavil, Jaffna, Sri Lanka, 1977 ; Byra Dineshkumar, Pickering, ON. 2012, de la s\u00e9rie Past and Present, 2012-2015. 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