{"id":164601,"date":"2016-01-15T19:00:00","date_gmt":"2016-01-16T00:00:00","guid":{"rendered":"https:\/\/esse.ca\/?post_type=portfolio&p=164601"},"modified":"2023-06-07T13:35:48","modified_gmt":"2023-06-07T18:35:48","slug":"trevor-paglen","status":"publish","type":"portfolio","link":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/","title":{"rendered":"Trevor Paglen"},"content":{"rendered":"\n

Explorant les limites du visible \u00e0 partir du paysage militaire \u00e9tats-unien, Trevor Paglen poursuit le double objectif de d\u00e9couvrir des infrastructures secr\u00e8tes et de r\u00e9aliser des images de ces sites g\u00e9ographiques \u00ab\u2009non existants\u2009\u00bb. Les plus r\u00e9cents projets de l\u2019artiste, dont fait partie la s\u00e9rie The Limit Telephotography<\/em>, proposent une cartographie des \u00ab\u2009sites noirs\u2009\u00bb cr\u00e9\u00e9s \u00e0 des fins occultes par la communaut\u00e9 du renseignement des \u00c9tats-Unis (zones d\u2019exp\u00e9rimentation technologique, centres d\u2019essais d\u2019artillerie et secteurs de surveillance radio, par exemple). Puisque ces espaces militaires sont \u00e9difi\u00e9s dans des endroits recul\u00e9s, d\u00e9limit\u00e9s par un large p\u00e9rim\u00e8tre de s\u00e9curit\u00e9, ils sont \u00e0 la fois inaccessibles et impossibles \u00e0 observer directement. Les photographies de Paglen jouent sur ce seuil de la visibilit\u00e9\u2009: capt\u00e9es du sommet des montagnes environnantes au moyen d\u2019instruments optiques employ\u00e9s en astrophysique, les images sont floues, les paysages, abstraits et leurs t\u00e9moignages, ambigus. Dans la s\u00e9rie The Other Night Sky<\/em>, l\u2019artiste d\u00e9place son int\u00e9r\u00eat pour la pr\u00e9sence terrestre du pouvoir militaire vers son occupation de l\u2019espace interstellaire\u2009: au moyen du proc\u00e9d\u00e9 photographique de la pose longue, il capte la trace lumineuse que dessine la trajectoire orbitale des satellites secrets. Entre l\u2019enqu\u00eate de terrain et la d\u00e9marche artistique, sa m\u00e9thode de travail hybride, qu\u2019il qualifie lui-m\u00eame de g\u00e9ographie exp\u00e9rimentale, permet de r\u00e9v\u00e9ler une topographie du pouvoir qui tire notamment sa force de l\u2019imaginaire collectif et, ce faisant, retourne l\u2019appareil de surveillance contre lui-m\u00eame.<\/p>\n\n\n\n

\"86_PF03_Paglen_KEYHOLE
Trevor Paglen<\/strong>
KEYHOLE IMPROVED CRYSTAL from Glacier Point (Optical Reconnaissance Satellite; USA 224), <\/em>2011, 
de la s\u00e9rie The Other Night Sky<\/em>.
Photo : permission de l’artiste, Metro Pictures, New York & Altman Siegel, San Francisco
<\/figcaption><\/figure>\n\n\n\n
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\"86_PF03_Paglen_Canyon<\/figure>\n<\/div>\n\n\n\n
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\"86_PF03_Paglen_Open<\/figure>\n<\/div>\n\n\n\n
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\"86_PF03_Paglen_Detachment<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Trevor Paglen<\/strong>
Canyon Hangars and Unidentified Vehicle; Tonopah Test Range, NV; Distance approx. 18 miles; 12:45 p.m., <\/em>2006 (gauche)\u2009;
Open Hangar; Cactus Flats, NV; Distance ~ 18 miles; 10:04 a.m., <\/em>2007 (centre)\u2009; <\/em>
Detachment 3, Air Force Flight Test Center, Groom Lake, NV Distance approx. 26 miles<\/em>, 2008 (droite),
de la s\u00e9rie The Limit Telephotography<\/em>.
Photos : permission de l’artiste, Metro Pictures, New York & Altman Siegel, San Francisco<\/p>\n\n\n\n

\"86_PF03_Paglen_PAN\"
Trevor Paglen<\/strong>
PAN (Unknown; USA-207), <\/em>2010, de la s\u00e9rie The Other Night Sky.<\/em>
Photo : permission de l’artiste, Metro Pictures,
New York & Altman Siegel, San Francisco<\/figcaption><\/figure>\n\n\n\n
\"86_PF03_Paglen_STSS-1\"
Trevor Paglen<\/strong>
STSS-1 and Two Unidentified Spacecraft over Carson City (Space Tracking and Surveillance System; USA 205), <\/em>2010,
de la s\u00e9rie The Other Night Sky. <\/em>
Photo\u2009: permission de l’artiste, Metro Pictures, New York & Altman Siegel, San Francisco<\/figcaption><\/figure>\n
Dominique Allard, Trevor Paglen<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1303,"featured_media":164273,"template":"","meta":[],"categories":[134],"numeros":[2842],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[6519],"artistes":[1513],"type_portfolio":[],"yoast_head":"\nTrevor Paglen – Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/portfolio\/trevor-paglen\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trevor Paglen\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/portfolio\/trevor-paglen\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-07T18:35:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/esse.ca\/wp-content\/uploads\/2022\/05\/86_PF03_Paglen_They-Watch-the-Moon-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@revue_esse\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Trevor Paglen – Esse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/","og_locale":"fr_FR","og_type":"article","og_title":"Trevor Paglen","og_url":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2023-06-07T18:35:48+00:00","og_image":[{"width":1920,"height":1440,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/05\/86_PF03_Paglen_They-Watch-the-Moon-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/","url":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/","name":"Trevor Paglen – Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/05\/86_PF03_Paglen_They-Watch-the-Moon-scaled.jpg","datePublished":"2016-01-16T00:00:00+00:00","dateModified":"2023-06-07T18:35:48+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/portfolio\/trevor-paglen\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/esse.ca\/portfolio\/trevor-paglen\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/05\/86_PF03_Paglen_They-Watch-the-Moon-scaled.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/05\/86_PF03_Paglen_They-Watch-the-Moon-scaled.jpg","width":1920,"height":1440,"caption":"Trevor Paglen They Watch the Moon, 2010, de la s\u00e9rie The Limit Telephotography. 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