{"id":154587,"date":"2018-05-15T09:30:47","date_gmt":"2018-05-15T14:30:47","guid":{"rendered":"https:\/\/esse.ca\/?post_type=portfolio&p=154587"},"modified":"2022-03-23T12:42:32","modified_gmt":"2022-03-23T17:42:32","slug":"andreanne-godin","status":"publish","type":"portfolio","link":"https:\/\/esse.ca\/portfolio\/andreanne-godin\/","title":{"rendered":"Andr\u00e9anne Godin"},"content":{"rendered":"\n

Andr\u00e9anne Godin traduit par le dessin les moments qui marquent son exp\u00e9rience quotidienne. Ces instants capt\u00e9s avec la promptitude d\u2019une esquisse mentale sont ensuite reconstruits par le frottement m\u00e9thodique du pigment ou du graphite en poudre sur le papier. Les temps du souvenir et de sa repr\u00e9sentation se conjuguent alors en une m\u00e9taphore de la m\u00e9moire. La r\u00e9alit\u00e9 alimente l\u2019imaginaire dont l\u2019interpr\u00e9tation picturale convoque un troublant effet de d\u00e9j\u00e0-vu. Le dessin d\u00e9voile en r\u00e9alit\u00e9 l\u2019universalit\u00e9 des souvenirs intimes.<\/p>\n\n\n\n

Cette rencontre des sensibilit\u00e9s s\u2019appuie sur une mise en espace sculpturale du papier. Arrang\u00e9s en faveur du regard spectateur, les dessins composent un parcours au c\u0153ur d\u2019une culture visuelle collective. Godin explore les possibilit\u00e9s architecturales du dessin de mani\u00e8re \u00e0 contrer ou \u00e0 appuyer les repr\u00e9sentations. La mati\u00e8re friable se projette ainsi dans la fragilit\u00e9 assum\u00e9e de l\u2019objet et engage une relation distinctive avec le spectateur. Entre la contemplation et la d\u00e9ambulation, l\u2019image de l\u2019\u00e9ph\u00e9m\u00e8re suspend para-doxalement le cours du temps.<\/p>\n\n\n\n

Pr\u00e8s du rituel, la technique rel\u00e8ve d\u2019un processus d\u2019ex\u00e9cution minutieux et engag\u00e9. L\u2019investissement temporel et physique de l\u2019artiste fait \u00e9cho au lent ench\u00e2ssement des \u00e9l\u00e9ments qui b\u00e2tissent les souvenirs. Le dessin intercepte les d\u00e9tails qui \u00e9chappent \u00e0 l\u2019exp\u00e9rience directe, mais que la m\u00e9moire alt\u00e8re, efface ou r\u00e9v\u00e8le. La s\u00e9rie On Our Way To The Border<\/em> repr\u00e9sente \u00e0 ce titre des lieux anonymes, paysages fuyants et autres textures de l\u2019ordinaire comme les esquisses distraites de l\u2019histoire de l\u2019artiste. Ce jeu de repr\u00e9sentation \u00e9voque la vie des images, de leur premi\u00e8re appr\u00e9ciation par Godin jusqu\u2019\u00e0 leur abandon dans le regard du spectateur.<\/p>\n\n\n\n

L\u2019unit\u00e9 des dessins r\u00e9side dans une certaine monochromie. Parfois authentique, d\u2019autres fois simul\u00e9e par un m\u00e9lange subtil de pigments, la couleur unique suscite une repr\u00e9sentation apaisante des sujets. La richesse et la vari\u00e9t\u00e9 des nuances murmurent les images. Les v\u00e9g\u00e9taux, les ciels et les lieux affirment ainsi, \u00e0 l\u2019instar des dessins plus abstraits, leur alt\u00e9rit\u00e9. La mati\u00e8re volatile les augmente d\u2019une impression de doute qui frappe comme un grand frisson : la m\u00e9moire est faillible. Le dessin minimaliste esquisse en ces termes la discr\u00e8te gravit\u00e9 de nos existences temporaires.<\/p>\n\n\n\n

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\"Godin_Untitled<\/figure>\n<\/div>\n\n\n\n
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\"Godin_Untitled<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Godin_Untitled<\/figure>\n<\/div>\n\n\n\n
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\"Godin_Untitled<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Andr\u00e9anne Godin<\/strong>
Untitled III<\/em>, 2017\u2009; Untitled I<\/em>, 2017\u2009; Untitled IX<\/em>, 2018\u2009; Untitled IV<\/em>, 2018, de la s\u00e9rie
On Our Way To The Border<\/em>.
\u00a9 Andr\u00e9anne Godin \/ SODRAC (2018)
Photos : Trigonix (III, I, IV), Andr\u00e9anne Godin (IX),
permission de l’artiste
& Galerie Nicolas Robert, Montr\u00e9al<\/p>\n\n\n\n

\n
\n
\"Godin_Untitled<\/figure>\n\n\n\n

Andr\u00e9anne Godin<\/strong>
Untitled VIII<\/em>, de la s\u00e9rie
On Our Way To The Border<\/em>, 2018.
\u00a9 Andr\u00e9anne Godin \/ SODRAC (2018)
Photo : permission de l’artiste
& Galerie Nicolas Robert, Montr\u00e9al<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n
Andr\u00e9anne Godin, Dominique Sirois-Rouleau<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":15,"featured_media":158750,"template":"","meta":[],"categories":[134],"numeros":[1649],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[166],"artistes":[1163],"type_portfolio":[],"yoast_head":"\nAndr\u00e9anne Godin – Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/portfolio\/andreanne-godin\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andr\u00e9anne Godin\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/portfolio\/andreanne-godin\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta 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