{"id":177264,"date":"2006-05-01T12:00:54","date_gmt":"2006-05-01T17:00:54","guid":{"rendered":"https:\/\/esse.ca\/?post_type=issue&#038;p=177264"},"modified":"2024-03-20T10:21:26","modified_gmt":"2024-03-20T15:21:26","slug":"signatures","status":"publish","type":"issue","link":"https:\/\/esse.ca\/issue\/signatures\/","title":{"rendered":"Signatures"},"excerpt":{"rendered":"Printemps \/ \u00e9t\u00e9 2006<br><br>Signe d\u2019authenticit\u00e9, la signature dit l\u2019origine de l\u2019\u0153uvre. Depuis toujours elle a permis \u00e0 l\u2019artiste de revendiquer sa singularit\u00e9 et a \u00e9t\u00e9 preuve et rep\u00e8re pour la fondation du jugement esth\u00e9tique. Ce dossier fait appel \u00e0 des r\u00e9flexions sur les multiples fa\u00e7ons d&#8217;identifier ou de signer l&#8217;\u0153uvre ou le processus artistique, ce que l&#8217;on pourrait nommer les formes nouvelles de signatures, incluant le portfolio de Carl Trahan.<\/br><br><br>Prix des revues Coupe et Applied Arts pour la conception graphique, 2006<\/br>","protected":false},"author":1303,"featured_media":148143,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[103],"numeros":[4256],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.1 (Yoast SEO v22.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Signatures &#8211; Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/issue\/signatures\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Signatures\" \/>\n<meta property=\"og:description\" content=\"Printemps \/ \u00e9t\u00e9 2006Signe d\u2019authenticit\u00e9, la signature dit l\u2019origine de l\u2019\u0153uvre. Depuis toujours elle a permis \u00e0 l\u2019artiste de revendiquer sa singularit\u00e9 et a \u00e9t\u00e9 preuve et rep\u00e8re pour la fondation du jugement esth\u00e9tique. Ce dossier fait appel \u00e0 des r\u00e9flexions sur les multiples fa\u00e7ons d&#039;identifier ou de signer l&#039;\u0153uvre ou le processus artistique, ce que l&#039;on pourrait nommer les formes nouvelles de signatures, incluant le portfolio de Carl Trahan. Prix des revues Coupe et Applied Arts pour la conception graphique, 2006\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/issue\/signatures\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta property=\"article:modified_time\" content=\"2024-03-20T15:21:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-57-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@revue_esse\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Signatures &#8211; Esse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/esse.ca\/issue\/signatures\/","og_locale":"fr_FR","og_type":"article","og_title":"Signatures","og_description":"Printemps \/ \u00e9t\u00e9 2006Signe d\u2019authenticit\u00e9, la signature dit l\u2019origine de l\u2019\u0153uvre. Depuis toujours elle a permis \u00e0 l\u2019artiste de revendiquer sa singularit\u00e9 et a \u00e9t\u00e9 preuve et rep\u00e8re pour la fondation du jugement esth\u00e9tique. Ce dossier fait appel \u00e0 des r\u00e9flexions sur les multiples fa\u00e7ons d'identifier ou de signer l'\u0153uvre ou le processus artistique, ce que l'on pourrait nommer les formes nouvelles de signatures, incluant le portfolio de Carl Trahan. Prix des revues Coupe et Applied Arts pour la conception graphique, 2006","og_url":"https:\/\/esse.ca\/issue\/signatures\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2024-03-20T15:21:26+00:00","og_image":[{"width":1920,"height":1920,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-57-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/issue\/signatures\/","url":"https:\/\/esse.ca\/issue\/signatures\/","name":"Signatures &#8211; Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/issue\/signatures\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/issue\/signatures\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-57-scaled.jpg","datePublished":"2006-05-01T17:00:54+00:00","dateModified":"2024-03-20T15:21:26+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/issue\/signatures\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/issue\/signatures\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/esse.ca\/issue\/signatures\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-57-scaled.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-57-scaled.jpg","width":1920,"height":1920},{"@type":"BreadcrumbList","@id":"https:\/\/esse.ca\/issue\/signatures\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/esse.ca\/"},{"@type":"ListItem","position":2,"name":"Issues","item":"https:\/\/esse.ca\/issue\/"},{"@type":"ListItem","position":3,"name":"Signatures"}]},{"@type":"WebSite","@id":"https:\/\/esse.ca\/#website","url":"https:\/\/esse.ca\/","name":"Esse","description":"Read Art","publisher":{"@id":"https:\/\/esse.ca\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/esse.ca\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/esse.ca\/#organization","name":"Les \u00e9ditions Esse","url":"https:\/\/esse.ca\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/","url":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","width":316,"height":89,"caption":"Les \u00e9ditions Esse"},"image":{"@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/fr-ca.facebook.com\/revue.esse","https:\/\/twitter.com\/revue_esse","https:\/\/www.instagram.com\/revueesse\/","https:\/\/ca.linkedin.com\/company\/esse-arts-opinions","https:\/\/www.youtube.com\/channel\/UCa9jXCKqjDjvnGahVnBKQNA","https:\/\/fr.wikipedia.org\/wiki\/Esse_arts_+_opinions"]}]}},"_links":{"self":[{"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/issue\/177264"}],"collection":[{"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/issue"}],"about":[{"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/types\/issue"}],"author":[{"embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/users\/1303"}],"replies":[{"embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/comments?post=177264"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/media\/148143"}],"wp:attachment":[{"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/media?parent=177264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/categories?post=177264"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/numeros?post=177264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}