{"id":170860,"date":"2012-09-01T12:00:08","date_gmt":"2012-09-01T17:00:08","guid":{"rendered":"https:\/\/esse.ca\/?post_type=issue&p=170860"},"modified":"2024-03-20T09:35:11","modified_gmt":"2024-03-20T14:35:11","slug":"lidee-de-la-peinture","status":"publish","type":"issue","link":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/","title":{"rendered":"L\u2019id\u00e9e de la peinture"},"excerpt":{"rendered":"Automne 2012
La peinture a plus d\u2019une fois \u00e9t\u00e9 d\u00e9clar\u00e9e morte, mais elle n\u2019a jamais cess\u00e9 d\u2019\u00eatre au c\u0153ur des d\u00e9marches artistiques. Avec le regain d\u2019int\u00e9r\u00eat que la peinture semble conna\u00eetre aujourd\u2019hui, esse arts + opinions souhaite consid\u00e9rer les diverses pratiques artistiques qui l\u2019interrogent comme dispositif visuel et qui font de son histoire et de ses conventions leur objet. Que penser d\u2019abord de ces \u00ab retours \u00bb en force de la gestualit\u00e9 et de la virtuosit\u00e9 technique dans la pratique du m\u00e9dium peinture ? Que dire aussi de la m\u00e9fiance en g\u00e9n\u00e9ral cultiv\u00e9e \u00e0 l\u2019endroit de la peinture pour sa complicit\u00e9 disons \u00ab naturelle \u00bb avec le march\u00e9 de l\u2019art ? Qu\u2019en est-il des notions de fen\u00eatre, d\u2019\u00e9cran et de tableau qui ont fourni \u00e0 la peinture ses diff\u00e9rents mod\u00e8les th\u00e9oriques \u00e0 travers le temps ?<\/br>","protected":false},"author":1303,"featured_media":145973,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[103],"numeros":[3501],"yoast_head":"\nL\u2019id\u00e9e de la peinture – Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019id\u00e9e de la peinture\" \/>\n<meta property=\"og:description\" content=\"Automne 2012La peinture a plus d\u2019une fois \u00e9t\u00e9 d\u00e9clar\u00e9e morte, mais elle n\u2019a jamais cess\u00e9 d\u2019\u00eatre au c\u0153ur des d\u00e9marches artistiques. Avec le regain d\u2019int\u00e9r\u00eat que la peinture semble conna\u00eetre aujourd\u2019hui, esse arts + opinions souhaite consid\u00e9rer les diverses pratiques artistiques qui l\u2019interrogent comme dispositif visuel et qui font de son histoire et de ses conventions leur objet. Que penser d\u2019abord de ces \u00ab retours \u00bb en force de la gestualit\u00e9 et de la virtuosit\u00e9 technique dans la pratique du m\u00e9dium peinture ? Que dire aussi de la m\u00e9fiance en g\u00e9n\u00e9ral cultiv\u00e9e \u00e0 l\u2019endroit de la peinture pour sa complicit\u00e9 disons \u00ab naturelle \u00bb avec le march\u00e9 de l\u2019art ? Qu\u2019en est-il des notions de fen\u00eatre, d\u2019\u00e9cran et de tableau qui ont fourni \u00e0 la peinture ses diff\u00e9rents mod\u00e8les th\u00e9oriques \u00e0 travers le temps ?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta property=\"article:modified_time\" content=\"2024-03-20T14:35:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/76-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@revue_esse\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"L\u2019id\u00e9e de la peinture – Esse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/","og_locale":"fr_FR","og_type":"article","og_title":"L\u2019id\u00e9e de la peinture","og_description":"Automne 2012La peinture a plus d\u2019une fois \u00e9t\u00e9 d\u00e9clar\u00e9e morte, mais elle n\u2019a jamais cess\u00e9 d\u2019\u00eatre au c\u0153ur des d\u00e9marches artistiques. Avec le regain d\u2019int\u00e9r\u00eat que la peinture semble conna\u00eetre aujourd\u2019hui, esse arts + opinions souhaite consid\u00e9rer les diverses pratiques artistiques qui l\u2019interrogent comme dispositif visuel et qui font de son histoire et de ses conventions leur objet. Que penser d\u2019abord de ces \u00ab retours \u00bb en force de la gestualit\u00e9 et de la virtuosit\u00e9 technique dans la pratique du m\u00e9dium peinture ? Que dire aussi de la m\u00e9fiance en g\u00e9n\u00e9ral cultiv\u00e9e \u00e0 l\u2019endroit de la peinture pour sa complicit\u00e9 disons \u00ab naturelle \u00bb avec le march\u00e9 de l\u2019art ? Qu\u2019en est-il des notions de fen\u00eatre, d\u2019\u00e9cran et de tableau qui ont fourni \u00e0 la peinture ses diff\u00e9rents mod\u00e8les th\u00e9oriques \u00e0 travers le temps ?","og_url":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2024-03-20T14:35:11+00:00","og_image":[{"width":1920,"height":1920,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/76-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/","url":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/","name":"L\u2019id\u00e9e de la peinture – Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/76-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","datePublished":"2012-09-01T17:00:08+00:00","dateModified":"2024-03-20T14:35:11+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/76-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/76-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","width":1920,"height":1920},{"@type":"BreadcrumbList","@id":"https:\/\/esse.ca\/issue\/lidee-de-la-peinture\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/esse.ca\/"},{"@type":"ListItem","position":2,"name":"Issues","item":"https:\/\/esse.ca\/issue\/"},{"@type":"ListItem","position":3,"name":"L\u2019id\u00e9e de la peinture"}]},{"@type":"WebSite","@id":"https:\/\/esse.ca\/#website","url":"https:\/\/esse.ca\/","name":"Esse","description":"Read Art","publisher":{"@id":"https:\/\/esse.ca\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/esse.ca\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/esse.ca\/#organization","name":"Les \u00e9ditions Esse","url":"https:\/\/esse.ca\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/","url":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","width":316,"height":89,"caption":"Les \u00e9ditions Esse"},"image":{"@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/fr-ca.facebook.com\/revue.esse","https:\/\/twitter.com\/revue_esse","https:\/\/www.instagram.com\/revueesse\/","https:\/\/ca.linkedin.com\/company\/esse-arts-opinions","https:\/\/www.youtube.com\/channel\/UCa9jXCKqjDjvnGahVnBKQNA","https:\/\/fr.wikipedia.org\/wiki\/Esse_arts_+_opinions"]}]}},"_links":{"self":[{"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/issue\/170860"}],"collection":[{"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/issue"}],"about":[{"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/types\/issue"}],"author":[{"embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/users\/1303"}],"replies":[{"embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/comments?post=170860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/media\/145973"}],"wp:attachment":[{"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/media?parent=170860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/categories?post=170860"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/esse.ca\/wp-json\/wp\/v2\/numeros?post=170860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}