{"id":165530,"date":"2015-09-15T18:00:00","date_gmt":"2015-09-15T23:00:00","guid":{"rendered":"https:\/\/esse.ca\/?post_type=compte-rendu&p=165530"},"modified":"2022-06-09T11:28:32","modified_gmt":"2022-06-09T16:28:32","slug":"manon-labrecquelorigine-dun-mouvement","status":"publish","type":"compte-rendu","link":"https:\/\/esse.ca\/compte-rendu\/manon-labrecquelorigine-dun-mouvement\/","title":{"rendered":"Manon Labrecque
L\u2019origine d\u2019un mouvement<\/em><\/strong>"},"content":{"rendered":"\n

L\u2019exposition L\u2019origine d\u2019un mouvement<\/em> r\u00e9unit cinq \u0153uvres r\u00e9centes de l\u2019artiste multidisciplinaire Manon Labrecque, qui poursuit son exploration du mouvement, du corps et de ses affects. Le spectateur traverse une boucle \u00e0 l\u2019atmosph\u00e8re \u00e9volutive, passant, comme le d\u00e9crit la commissaire Nicole Gingras, de la salle de l\u2019ombre \u00e0 celle de la lumi\u00e8re, puis \u00e0 celle de la trace.<\/p>\n\n\n\n

Dans un premier espace, des installations vid\u00e9os marquent une ambiance \u00e0 la fois apaisante et inqui\u00e9tante. Projection en mouvement sur un contour dessin\u00e9, Apprentissage<\/em> \u00e9tudie la lente migration du corps hors de sa silhouette. L\u2019ombre, intime et \u00e9trang\u00e8re, celle qui d\u00e9finit autant qu\u2019elle d\u00e9forme, tel un double indissociable et pourtant distinct\u2009; le rapport ambigu \u00e0 \u00ab\u2009l\u2019autre\u2009\u00bb r\u00e9f\u00e8re avant tout \u00e0 une r\u00e9conciliation avec soi-m\u00eame, comme l\u2019\u00e9voque aussi Touch\u00e9e<\/em>. L\u2019artiste, concentr\u00e9e, les yeux clos, la t\u00eate en suspens, les bras tendus vers ses empreintes, cherche cet \u00e9quilibre sensoriel, cette rencontre des tensions internes et externes du corps dans une synth\u00e8se pulsionnelle. Abordant une intimit\u00e9 plus vuln\u00e9rable, Dessous ma chair rouge<\/em> confronte deux visages, l\u2019un au regard fuyant et l\u2019autre se couvrant la bouche, traduisant un sentiment entre la honte et la crainte. L\u2019installation Moulin \u00e0 pri\u00e8res<\/em> offre une chor\u00e9graphie machinique vertigineuse. Au passage du spectateur, la salle, tout d\u2019abord plong\u00e9e dans la p\u00e9nombre, est envahie d\u2019animations s\u00e9quentielles pr\u00e9sentant une femme cachant sa figure, ouvrant ses mains, puis tombant \u00e0 la renverse. La clart\u00e9 des projections d\u00e9voile les sculptures cin\u00e9tiques \u00e0 leur source, dont les dispositifs \u00e9lectrom\u00e9caniques simples s\u2019actionnent tour \u00e0 tour dans un dialogue \u00e9trangement fluide. Par leur d\u00e9clenchement autonome, leur mat\u00e9rialit\u00e9 organique et leur rythmique continue, ces \u00ab\u2009m\u00e9canismes de r\u00e9animation de l\u2019image\u2009\u00bb, ainsi qualifi\u00e9s par l\u2019artiste, t\u00e9moignent d\u2019un travail r\u00e9flexif de construction et soul\u00e8vent un caract\u00e8re analogue entre le corps et la machine. Dans un silence lumineux, Les uns<\/em> occupent la derni\u00e8re pi\u00e8ce. D\u00e9pos\u00e9s sur des chevalets, les imposants dessins r\u00e9alis\u00e9s \u00e0 l\u2019aveugle pr\u00e9sentent des personnages fragiles mais vibrants, habit\u00e9s d\u2019une touchante corporalit\u00e9\u2009; une relation au mouvement cette fois marqu\u00e9e par le d\u00e9doublement et la spontan\u00e9it\u00e9 du trait.<\/p>\n\n\n\n

\"85_CR03_Brunette_Labrecque_Touch\u00e9e\"
Manon Labrecque<\/strong>
Touch\u00e9e<\/em>, 2015.
Photo : \u00a9 Manon Labrecque<\/figcaption><\/figure>\n\n\n\n

Le d\u00e9placement du corps lui conf\u00e8re un nouvel \u00e9tat constant\u2009; du geste \u00e0 la trace, du souvenir \u00e0 la fiction, le halo du r\u00e9f\u00e9rent n\u2019est qu\u2019\u00e9ph\u00e9m\u00e8re. Une fois de plus, Manon Labrecque r\u00e9habilite le corps en mouvement, transposant admirablement les notions de pr\u00e9sence et de m\u00e9moire dans des \u0153uvres d\u2019une sobre sensibilit\u00e9.<\/p>\n

Anna Brunette, Manon Labrecque<\/div>","protected":false},"excerpt":{"rendered":"AXEN\u00c9O7<\/strong>, Gatineau, <\/br>
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