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  1. Mathieu Lefevre: His Life, His Art as One Exhibition

    ... Mathieu Lefevre, My Bike Disguised as Contemporary Art, 2011. Photo : Guy L'Heureux ... this part of the One Exhibition you see Mathieu’s love of language, of words, of word games, of playfulness as well as his passion for ...

    Catherine - 06/27/2018 - 11:43

  2. Now Bulletin: Artworks, Letters and Printed Matter from the Garry Neill Kennedy Collection 1968 – 2019, Griffin Art Projects, Vancouver

    ... (Re)seeing Painting 2021 Griffin Art Projects, Vancouver Stéphane Bernard ... with its fireworks-like display of fluorescent orange. Language has always been an integral component of Conceptualism, and in the ...

    Catherine - 05/17/2021 - 09:40

  3. Now Bulletin: Artworks, Letters and Printed Matter from the Garry Neill Kennedy Collection 1968 – 2019, Griffin Art Projects, Vancouver

    ... la peinture 2021 Griffin Art Projects, Vancouver Stéphane Bernard ... with its fireworks-like display of fluorescent orange. Language has always been an integral component of Conceptualism, and in the ...

    Catherine - 05/17/2021 - 09:40

  4. Dossier | Guillaume Lachapelle: Dreamy Wanderings through Heterotopias

    ... are often made of wood, have something in common with the language of surrealism. The sculptures are presented as façades, scaffolding, ... NOTES (1) The exhibition was presented in 2009, at Galerie Art Mûr (Montreal), which represents the artist. (2) Michel Foucault, “Des ...

    Abonnement - 03/18/2020 - 14:16

  5. Dossier | From Object to Animated “Thing”: the Disenchantment of the Object

    ... and culture, human and non-human, subject and object. While art history may not have given much attention to the animated ... may perceive the “thing,” which is not a sign, not an art object, but merely that thing that had once been human or had been part of ... Lachapelle’s Avancée (2009) plays on cinematic language by presenting a miniature chair, set into motion by means of an ...

    Abonnement - 03/26/2020 - 16:24

  6. Dossier | Fear and Its Double. (Real and Imaginary) Fears in Performance Art from Latin America

    ... and Its Double. (Real and Imaginary) Fears in Performance Art from Latin America By Alexander Del Re & Patricia Contreras Fuentes ... “social unease.” Haitian immigrants, speaking their own language (Haitian Creole), have often inspired “fears and distrust” among ...

    jeremi - 09/18/2019 - 16:24

  7. Dossier | The Perishable Papers of Pierre Pilonchéry

    ... up a mosaic; the sales pitch unravels and gives way to a new language. The catchy pictures become fragmented to form a new body, an infinite ... is to disturb the clear-cut distinctions we maintain between art and life. In an operation of visual recycling, the impoverished and ...

    jeremi - 05/14/2020 - 15:23

  8. Dossier | The Automaton and Its Number

    ... and object continue to function as key notions, recent art has radically altered their meaning. The metaphysical and signifying ... logic. Therefore, to reflect on animate objects in recent art implies that one consider how computer technology has undermined the ... expressed in mischievous yet classical sculptural language. Although for most works Blass does not use electronic or computer ...

    Abonnement - 03/30/2020 - 14:55

  9. Dossier | La peur et son double : peurs réelles et imaginaires en art performance latino-américain

    ... La peur et son double : peurs réelles et imaginaires en art performance latino-américain Par Alexander Del Re & Patricia Contreras ... Les immigrants haïtiens, qui parlent leur propre language (le créole d’Haïti), ont souvent inspiré « des peurs et de la ...

    jeremi - 09/18/2019 - 16:24

  10. De la matérialité du sens

    ... 2 : of no substantial consequence : UNIMPORTANT Net-art is expanding exponentially. Are these objects? Material or immaterial? ... form will inevitably arise to redefine our relation to language. By expanding the capabilities and potential trajectories of language, ...

    Marie-Hélène - 01/24/2011 - 16:57

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