{"id":178905,"date":"2005-05-01T12:00:02","date_gmt":"2005-05-01T17:00:02","guid":{"rendered":"https:\/\/esse.ca\/issue\/derives\/"},"modified":"2023-07-13T13:44:21","modified_gmt":"2023-07-13T18:44:21","slug":"derives","status":"publish","type":"issue","link":"https:\/\/esse.ca\/en\/issue\/derives\/","title":{"rendered":"D\u00e9rives"},"excerpt":{"rendered":"Spring \/ Summer 2005<br><br>[In French] La question de mobilit\u00e9 a souvent \u00e9t\u00e9 trait\u00e9e par les artistes \u00e0 travers la figure de celui qui marche, de l\u2019arpenteur. Longtemps repr\u00e9sent\u00e9e, cette mobilit\u00e9 s\u2019incarne d\u00e9sormais dans de nombreuses pratiques artistiques contemporaines. Comme autant de variations sur le th\u00e8me du fl\u00e2neur baudelairien, le nomadisme, l\u2019errance, la d\u00e9ambulation, le voyage, les d\u00e9rives diverses constituent des moyens par lesquels nombre d\u2019artistes observent le monde et proposent d\u2019en faire l\u2019exp\u00e9rience.<\/br>","protected":false},"author":1303,"featured_media":148138,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[300,300],"numeros":[4536,4536],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.1 (Yoast SEO v22.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>D\u00e9rives &#8211; Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/issue\/derives\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"D\u00e9rives\" \/>\n<meta property=\"og:description\" content=\"Spring \/ Summer 2005[In French] La question de mobilit\u00e9 a souvent \u00e9t\u00e9 trait\u00e9e par les artistes \u00e0 travers la figure de celui qui marche, de l\u2019arpenteur. Longtemps repr\u00e9sent\u00e9e, cette mobilit\u00e9 s\u2019incarne d\u00e9sormais dans de nombreuses pratiques artistiques contemporaines. Comme autant de variations sur le th\u00e8me du fl\u00e2neur baudelairien, le nomadisme, l\u2019errance, la d\u00e9ambulation, le voyage, les d\u00e9rives diverses constituent des moyens par lesquels nombre d\u2019artistes observent le monde et proposent d\u2019en faire l\u2019exp\u00e9rience.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/issue\/derives\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-13T18:44:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-54-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@revue_esse\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"D\u00e9rives &#8211; Esse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/esse.ca\/issue\/derives\/","og_locale":"en_US","og_type":"article","og_title":"D\u00e9rives","og_description":"Spring \/ Summer 2005[In French] La question de mobilit\u00e9 a souvent \u00e9t\u00e9 trait\u00e9e par les artistes \u00e0 travers la figure de celui qui marche, de l\u2019arpenteur. Longtemps repr\u00e9sent\u00e9e, cette mobilit\u00e9 s\u2019incarne d\u00e9sormais dans de nombreuses pratiques artistiques contemporaines. Comme autant de variations sur le th\u00e8me du fl\u00e2neur baudelairien, le nomadisme, l\u2019errance, la d\u00e9ambulation, le voyage, les d\u00e9rives diverses constituent des moyens par lesquels nombre d\u2019artistes observent le monde et proposent d\u2019en faire l\u2019exp\u00e9rience.","og_url":"https:\/\/esse.ca\/issue\/derives\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2023-07-13T18:44:21+00:00","og_image":[{"width":2560,"height":2560,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-54-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/issue\/derives\/","url":"https:\/\/esse.ca\/issue\/derives\/","name":"D\u00e9rives &#8211; Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/issue\/derives\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/issue\/derives\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-54-scaled.jpg","datePublished":"2005-05-01T17:00:02+00:00","dateModified":"2023-07-13T18:44:21+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/issue\/derives\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/issue\/derives\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/issue\/derives\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-54-scaled.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-54-scaled.jpg","width":2560,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/esse.ca\/issue\/derives\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/esse.ca\/en\/"},{"@type":"ListItem","position":2,"name":"Issues","item":"https:\/\/esse.ca\/issue\/"},{"@type":"ListItem","position":3,"name":"D\u00e9rives"}]},{"@type":"WebSite","@id":"https:\/\/esse.ca\/#website","url":"https:\/\/esse.ca\/","name":"Esse","description":"Read Art","publisher":{"@id":"https:\/\/esse.ca\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/esse.ca\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/esse.ca\/#organization","name":"Les \u00e9ditions Esse","url":"https:\/\/esse.ca\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/","url":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","width":316,"height":89,"caption":"Les \u00e9ditions Esse"},"image":{"@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/fr-ca.facebook.com\/revue.esse","https:\/\/twitter.com\/revue_esse","https:\/\/www.instagram.com\/revueesse\/","https:\/\/ca.linkedin.com\/company\/esse-arts-opinions","https:\/\/www.youtube.com\/channel\/UCa9jXCKqjDjvnGahVnBKQNA","https:\/\/fr.wikipedia.org\/wiki\/Esse_arts_+_opinions"]}]}},"_links":{"self":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/issue\/178905"}],"collection":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/issue"}],"about":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/types\/issue"}],"author":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/users\/1303"}],"replies":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/comments?post=178905"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/media\/148138"}],"wp:attachment":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/media?parent=178905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/categories?post=178905"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=178905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}