{"id":178683,"date":"2006-01-01T12:00:30","date_gmt":"2006-01-01T17:00:30","guid":{"rendered":"https:\/\/esse.ca\/issue\/irreverence\/"},"modified":"2023-07-13T13:43:53","modified_gmt":"2023-07-13T18:43:53","slug":"irreverence","status":"publish","type":"issue","link":"https:\/\/esse.ca\/en\/issue\/irreverence\/","title":{"rendered":"Irr\u00e9v\u00e9rence"},"excerpt":{"rendered":"Winter 2006
[In French] Connot\u00e9e n\u00e9gativement, l\u2019irr\u00e9v\u00e9rence rel\u00e8ve souvent, dans le domaine de l\u2019art, d\u2019une strat\u00e9gie subversive et critique. Que l\u2019on pense \u00e0 l\u2019iconoclasme ou au vandalisme artistique, \u00e0 diff\u00e9rentes pratiques de d\u00e9tournement, aux pastiches ou \u00e0 la satire, \u00e0 des formes d\u2019art extr\u00eame ainsi qu\u2019\u00e0 de nombreuses pratiques dites outrageuses, c\u2019est sur de multiples variations, et de milles fa\u00e7ons, que l\u2019irr\u00e9v\u00e9rence se d\u00e9cline, d\u2019o\u00f9 la richesse d\u2019un tel sujet.<\/br>","protected":false},"author":1303,"featured_media":148142,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[300,300],"numeros":[4486,4486],"yoast_head":"\nIrr\u00e9v\u00e9rence – Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/issue\/irreverence\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Irr\u00e9v\u00e9rence\" \/>\n<meta property=\"og:description\" content=\"Winter 2006[In French] Connot\u00e9e n\u00e9gativement, l\u2019irr\u00e9v\u00e9rence rel\u00e8ve souvent, dans le domaine de l\u2019art, d\u2019une strat\u00e9gie subversive et critique. Que l\u2019on pense \u00e0 l\u2019iconoclasme ou au vandalisme artistique, \u00e0 diff\u00e9rentes pratiques de d\u00e9tournement, aux pastiches ou \u00e0 la satire, \u00e0 des formes d\u2019art extr\u00eame ainsi qu\u2019\u00e0 de nombreuses pratiques dites outrageuses, c\u2019est sur de multiples variations, et de milles fa\u00e7ons, que l\u2019irr\u00e9v\u00e9rence se d\u00e9cline, d\u2019o\u00f9 la richesse d\u2019un tel sujet.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/issue\/irreverence\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-13T18:43:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-56-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@revue_esse\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Irr\u00e9v\u00e9rence – Esse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/esse.ca\/issue\/irreverence\/","og_locale":"en_US","og_type":"article","og_title":"Irr\u00e9v\u00e9rence","og_description":"Winter 2006[In French] Connot\u00e9e n\u00e9gativement, l\u2019irr\u00e9v\u00e9rence rel\u00e8ve souvent, dans le domaine de l\u2019art, d\u2019une strat\u00e9gie subversive et critique. Que l\u2019on pense \u00e0 l\u2019iconoclasme ou au vandalisme artistique, \u00e0 diff\u00e9rentes pratiques de d\u00e9tournement, aux pastiches ou \u00e0 la satire, \u00e0 des formes d\u2019art extr\u00eame ainsi qu\u2019\u00e0 de nombreuses pratiques dites outrageuses, c\u2019est sur de multiples variations, et de milles fa\u00e7ons, que l\u2019irr\u00e9v\u00e9rence se d\u00e9cline, d\u2019o\u00f9 la richesse d\u2019un tel sujet.","og_url":"https:\/\/esse.ca\/issue\/irreverence\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2023-07-13T18:43:53+00:00","og_image":[{"width":2560,"height":2560,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-56-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/issue\/irreverence\/","url":"https:\/\/esse.ca\/issue\/irreverence\/","name":"Irr\u00e9v\u00e9rence – Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/issue\/irreverence\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/issue\/irreverence\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-56-scaled.jpg","datePublished":"2006-01-01T17:00:30+00:00","dateModified":"2023-07-13T18:43:53+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/issue\/irreverence\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/issue\/irreverence\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/issue\/irreverence\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-56-scaled.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/11\/ESSE\u2013ID-SiteWeb-56-scaled.jpg","width":2560,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/esse.ca\/issue\/irreverence\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/esse.ca\/en\/"},{"@type":"ListItem","position":2,"name":"Issues","item":"https:\/\/esse.ca\/issue\/"},{"@type":"ListItem","position":3,"name":"Irr\u00e9v\u00e9rence"}]},{"@type":"WebSite","@id":"https:\/\/esse.ca\/#website","url":"https:\/\/esse.ca\/","name":"Esse","description":"Read Art","publisher":{"@id":"https:\/\/esse.ca\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/esse.ca\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/esse.ca\/#organization","name":"Les \u00e9ditions Esse","url":"https:\/\/esse.ca\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/","url":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","width":316,"height":89,"caption":"Les \u00e9ditions Esse"},"image":{"@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/fr-ca.facebook.com\/revue.esse","https:\/\/twitter.com\/revue_esse","https:\/\/www.instagram.com\/revueesse\/","https:\/\/ca.linkedin.com\/company\/esse-arts-opinions","https:\/\/www.youtube.com\/channel\/UCa9jXCKqjDjvnGahVnBKQNA","https:\/\/fr.wikipedia.org\/wiki\/Esse_arts_+_opinions"]}]}},"_links":{"self":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/issue\/178683"}],"collection":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/issue"}],"about":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/types\/issue"}],"author":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/users\/1303"}],"replies":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/comments?post=178683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/media\/148142"}],"wp:attachment":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/media?parent=178683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/categories?post=178683"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=178683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}