{"id":172137,"date":"2011-05-01T12:00:25","date_gmt":"2011-05-01T17:00:25","guid":{"rendered":"https:\/\/esse.ca\/issue\/commissaires\/"},"modified":"2023-07-13T13:28:07","modified_gmt":"2023-07-13T18:28:07","slug":"commissaires","status":"publish","type":"issue","link":"https:\/\/esse.ca\/en\/issue\/commissaires\/","title":{"rendered":"Curators"},"excerpt":{"rendered":"Spring \/ Summer 2011<br><br>The practice of curating is flourishing. A rising number of exhibiting institutions and events are inviting curators to mount shows in their venues. Ever since Harald Szeemann was credited with inventing the genre in 1972, the role of independent curator has indeed undergone enormous changes, along with the issues related to the task. Not only are curators are quite visible when their exhibitions are presented but they are also the subject of increasing theoretical investigation, which testifies to the practice\u2019s in-depth transformations. This themed section explores current curating conditions, in particular how the limits of artistic artmaking and exhibition as gestures are being redefined.<\/br>","protected":false},"author":1303,"featured_media":145958,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[300,300],"numeros":[3652,3652],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.1 (Yoast SEO v22.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Curators &#8211; Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/issue\/commissaires\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Curators\" \/>\n<meta property=\"og:description\" content=\"Spring \/ Summer 2011The practice of curating is flourishing. A rising number of exhibiting institutions and events are inviting curators to mount shows in their venues. Ever since Harald Szeemann was credited with inventing the genre in 1972, the role of independent curator has indeed undergone enormous changes, along with the issues related to the task. Not only are curators are quite visible when their exhibitions are presented but they are also the subject of increasing theoretical investigation, which testifies to the practice\u2019s in-depth transformations. 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This themed section explores current curating conditions, in particular how the limits of artistic artmaking and exhibition as gestures are being redefined.","og_url":"https:\/\/esse.ca\/issue\/commissaires\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2023-07-13T18:28:07+00:00","og_image":[{"width":2560,"height":2560,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/72-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/issue\/commissaires\/","url":"https:\/\/esse.ca\/issue\/commissaires\/","name":"Curators &#8211; Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/issue\/commissaires\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/issue\/commissaires\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/72-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","datePublished":"2011-05-01T17:00:25+00:00","dateModified":"2023-07-13T18:28:07+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/issue\/commissaires\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/issue\/commissaires\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/issue\/commissaires\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/72-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/72-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","width":2560,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/esse.ca\/issue\/commissaires\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/esse.ca\/en\/"},{"@type":"ListItem","position":2,"name":"Issues","item":"https:\/\/esse.ca\/issue\/"},{"@type":"ListItem","position":3,"name":"Curators"}]},{"@type":"WebSite","@id":"https:\/\/esse.ca\/#website","url":"https:\/\/esse.ca\/","name":"Esse","description":"Read Art","publisher":{"@id":"https:\/\/esse.ca\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/esse.ca\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/esse.ca\/#organization","name":"Les \u00e9ditions Esse","url":"https:\/\/esse.ca\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/","url":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","width":316,"height":89,"caption":"Les \u00e9ditions Esse"},"image":{"@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/fr-ca.facebook.com\/revue.esse","https:\/\/twitter.com\/revue_esse","https:\/\/www.instagram.com\/revueesse\/","https:\/\/ca.linkedin.com\/company\/esse-arts-opinions","https:\/\/www.youtube.com\/channel\/UCa9jXCKqjDjvnGahVnBKQNA","https:\/\/fr.wikipedia.org\/wiki\/Esse_arts_+_opinions"]}]}},"_links":{"self":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/issue\/172137"}],"collection":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/issue"}],"about":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/types\/issue"}],"author":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/users\/1303"}],"replies":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/comments?post=172137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/media\/145958"}],"wp:attachment":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/media?parent=172137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/categories?post=172137"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=172137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}