{"id":171258,"date":"2012-05-01T12:00:02","date_gmt":"2012-05-01T17:00:02","guid":{"rendered":"https:\/\/esse.ca\/issue\/objets-animes\/"},"modified":"2023-07-13T13:23:51","modified_gmt":"2023-07-13T18:23:51","slug":"living-things","status":"publish","type":"issue","link":"https:\/\/esse.ca\/en\/issue\/living-things\/","title":{"rendered":"Living Things"},"excerpt":{"rendered":"Spring \/ Summer 2012
What strategies are contemporary artists using to \u201canimate the inanimate?\u201d To better understand the complexities of our rapport with things, this issue casts a critical eye on contemporary artistic practices that challenge our common perceptions of the \u201cobject\u201d and that invite us to reconsider its nature, status, and various functions. This number takes stock of a current phenomenon that resists the dematerialization of art heralded by new media, a phenomenon that manifests itself in a \u201creturn to the object\u201d and in the avid interest of the social sciences in material culture.<\/br>","protected":false},"author":1303,"featured_media":145970,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[300,300],"numeros":[3550,3550],"yoast_head":"\nLiving Things – Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/issue\/objets-animes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Living Things\" \/>\n<meta property=\"og:description\" content=\"Spring \/ Summer 2012What strategies are contemporary artists using to \u201canimate the inanimate?\u201d To better understand the complexities of our rapport with things, this issue casts a critical eye on contemporary artistic practices that challenge our common perceptions of the \u201cobject\u201d and that invite us to reconsider its nature, status, and various functions. This number takes stock of a current phenomenon that resists the dematerialization of art heralded by new media, a phenomenon that manifests itself in a \u201creturn to the object\u201d and in the avid interest of the social sciences in material culture.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/issue\/objets-animes\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-13T18:23:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/75-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@revue_esse\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Living Things – Esse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/esse.ca\/issue\/objets-animes\/","og_locale":"en_US","og_type":"article","og_title":"Living Things","og_description":"Spring \/ Summer 2012What strategies are contemporary artists using to \u201canimate the inanimate?\u201d To better understand the complexities of our rapport with things, this issue casts a critical eye on contemporary artistic practices that challenge our common perceptions of the \u201cobject\u201d and that invite us to reconsider its nature, status, and various functions. This number takes stock of a current phenomenon that resists the dematerialization of art heralded by new media, a phenomenon that manifests itself in a \u201creturn to the object\u201d and in the avid interest of the social sciences in material culture.","og_url":"https:\/\/esse.ca\/issue\/objets-animes\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2023-07-13T18:23:51+00:00","og_image":[{"width":2560,"height":2560,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/75-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/issue\/objets-animes\/","url":"https:\/\/esse.ca\/issue\/objets-animes\/","name":"Living Things – Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/issue\/objets-animes\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/issue\/objets-animes\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/75-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","datePublished":"2012-05-01T17:00:02+00:00","dateModified":"2023-07-13T18:23:51+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/issue\/objets-animes\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/issue\/objets-animes\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/issue\/objets-animes\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/75-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2021\/10\/75-ESSE\u2013ID-SiteWeb-Gabarit-Numero-scaled.jpg","width":2560,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/esse.ca\/issue\/objets-animes\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/esse.ca\/en\/"},{"@type":"ListItem","position":2,"name":"Issues","item":"https:\/\/esse.ca\/issue\/"},{"@type":"ListItem","position":3,"name":"Living Things"}]},{"@type":"WebSite","@id":"https:\/\/esse.ca\/#website","url":"https:\/\/esse.ca\/","name":"Esse","description":"Read Art","publisher":{"@id":"https:\/\/esse.ca\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/esse.ca\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/esse.ca\/#organization","name":"Les \u00e9ditions Esse","url":"https:\/\/esse.ca\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/","url":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2022\/01\/logo-esse.jpg","width":316,"height":89,"caption":"Les \u00e9ditions Esse"},"image":{"@id":"https:\/\/esse.ca\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/fr-ca.facebook.com\/revue.esse","https:\/\/twitter.com\/revue_esse","https:\/\/www.instagram.com\/revueesse\/","https:\/\/ca.linkedin.com\/company\/esse-arts-opinions","https:\/\/www.youtube.com\/channel\/UCa9jXCKqjDjvnGahVnBKQNA","https:\/\/fr.wikipedia.org\/wiki\/Esse_arts_+_opinions"]}]}},"_links":{"self":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/issue\/171258"}],"collection":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/issue"}],"about":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/types\/issue"}],"author":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/users\/1303"}],"replies":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/comments?post=171258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/media\/145970"}],"wp:attachment":[{"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/media?parent=171258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/categories?post=171258"},{"taxonomy":"numeros","embeddable":true,"href":"https:\/\/esse.ca\/en\/wp-json\/wp\/v2\/numeros?post=171258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}