{"id":6003,"date":"2021-05-01T13:35:00","date_gmt":"2021-05-01T18:35:00","guid":{"rendered":"https:\/\/esse.ca\/compte-rendu\/celia-perrin-sidarous-marie-michelle-deschamps\/"},"modified":"2022-04-08T22:40:15","modified_gmt":"2022-04-09T03:40:15","slug":"celia-perrin-sidarous-marie-michelle-deschamps","status":"publish","type":"compte-rendu","link":"https:\/\/esse.ca\/en\/reviews\/celia-perrin-sidarous-marie-michelle-deschamps\/","title":{"rendered":"Celia Perrin Sidarous &#038; Marie-Michelle Deschamps"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img4-IM_Roger_Deschamps_01_RGB-819x1024.jpg\" alt=\"\" class=\"wp-image-2280\" srcset=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img4-IM_Roger_Deschamps_01_RGB-819x1024.jpg 819w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img4-IM_Roger_Deschamps_01_RGB-300x375.jpg 300w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img4-IM_Roger_Deschamps_01_RGB-600x750.jpg 600w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img4-IM_Roger_Deschamps_01_RGB-240x300.jpg 240w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img4-IM_Roger_Deschamps_01_RGB-768x960.jpg 768w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img4-IM_Roger_Deschamps_01_RGB-1229x1536.jpg 1229w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img4-IM_Roger_Deschamps_01_RGB.jpg 1536w\" sizes=\"(max-width: 819px) 100vw, 819px\" \/><figcaption><strong>Marie-Michelle Deschamps<\/strong><br><em>Sans-titre<\/em>, 2021.<br>Photo : Maxime Brouillet, permission de Bradley Ertaskiran, Montr\u00e9al<\/figcaption><\/figure><\/div>\n\n\n\n<pre class=\"wp-block-verse\">[In French]\n\n<em>Les artistes Celia Perrin&nbsp;Sidarous&nbsp;et Marie-Michelle Deschamps ont investi l\u2019ensemble des espaces de la galerie Bradley&nbsp;Ertaskiran&nbsp;dans le cadre des deux nouvelles expositions personnelles retra\u00e7ant leurs recherches r\u00e9centes<\/em>.&nbsp;<\/pre>\n\n\n\n<p>Regroup\u00e9 dans un corpus intitul\u00e9&nbsp;<em>Flotsam<\/em>, le nouveau travail photographique de Perrin&nbsp;Sidarous&nbsp;questionne les limites du genre de la nature morte au gr\u00e9 de compositions et d\u2019associations d\u2019images issues de ses archives photographiques.&nbsp;<em>Flotsam<\/em>&nbsp;est un terme anglais qui d\u00e9signe les d\u00e9bris d\u2019une \u00e9pave qui flottent \u00e0 la suite d\u2019un naufrage. Le visiteur fait face \u00e0 une dizaine de compositions photographiques juxtaposant des images de fleurs, de corps, mais aussi de fragments de pages de livres ou de magazines de sciences naturelles. Chaque \u00e9l\u00e9ment a \u00e9t\u00e9 d\u00e9coup\u00e9 puis photographi\u00e9 sur pellicule argentique et imprim\u00e9 pour \u00eatre ensuite&nbsp;r\u00e9agenc\u00e9.&nbsp;&nbsp;<\/p>\n\n\n\n<p><em>Isis<\/em>, l\u2019une des photographies grand format de cette exposition, use d\u2019un vocabulaire iconographique empreint des livres d\u2019art anciens \u00e0 la mani\u00e8re du&nbsp;<em>Mus\u00e9e imaginaire<\/em>&nbsp;d\u2019Andr\u00e9 Malraux que Perrin&nbsp;Sidarous&nbsp;cite explicitement dans ses \u0153uvres. Un extrait de page publicitaire des ann\u00e9es\u202f60 vient \u00e9pouser une arche classique, pour \u00eatre ensuite d\u00e9contextualis\u00e9 par la d\u00e9coupe d\u2019une main tenant une cigarette. Une image de chapiteau gr\u00e9co-romain et des fleurs de papier plac\u00e9es au premier plan forcent le spectateur \u00e0 d\u00e9cortiquer le dispositif de composition. Elle utilise parfois des vitres ou des fonds qui \u00ab\u202fs\u00e9dimentent\u202f\u00bb les compositions. On notera aussi l\u2019importance du jeu d\u2019\u00e9chelle qui bouleverse l\u2019harmonie g\u00e9n\u00e9rale insuffl\u00e9e par la palette chromatique et le grain photographique de chaque fragment. Cette recherche fait r\u00e9sonner le pouvoir des images historiques, comme des vestiges de la m\u00e9moire.&nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img1-IM_Roger_Sidarous_01_RGB-1024x683.jpg\" alt=\"\" class=\"wp-image-2277\" srcset=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img1-IM_Roger_Sidarous_01_RGB-1024x683.jpg 1024w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img1-IM_Roger_Sidarous_01_RGB-300x200.jpg 300w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img1-IM_Roger_Sidarous_01_RGB-600x400.jpg 600w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img1-IM_Roger_Sidarous_01_RGB-768x512.jpg 768w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img1-IM_Roger_Sidarous_01_RGB-1536x1024.jpg 1536w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img1-IM_Roger_Sidarous_01_RGB.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Celia Perrin Sidarous<\/strong><br><em>Flotsam<\/em>, vue d\u2019exposition, 2021.<br>Photo : Maxime Brouillet, permission de Bradley Ertaskiran, Montr\u00e9al<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img3-IM_Roger_Deschamps_04_RGB-1024x732.jpg\" alt=\"\" class=\"wp-image-2279\" srcset=\"https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img3-IM_Roger_Deschamps_04_RGB-1024x732.jpg 1024w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img3-IM_Roger_Deschamps_04_RGB-300x214.jpg 300w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img3-IM_Roger_Deschamps_04_RGB-600x429.jpg 600w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img3-IM_Roger_Deschamps_04_RGB-768x549.jpg 768w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img3-IM_Roger_Deschamps_04_RGB-1536x1098.jpg 1536w, https:\/\/esse.ca\/wp-content\/uploads\/2021\/07\/CR-6-Img3-IM_Roger_Deschamps_04_RGB.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Marie-Michelle Deschamps<\/strong><br><em>Oasis,<\/em> vue d\u2019exposition, 2021.<br>Photo : Maxime Brouillet, permission de Bradley Ertaskiran, Montr\u00e9al<\/figcaption><\/figure><\/div>\n\n\n\n<p>Marie-Michelle Deschamps d\u00e9veloppe, dans le cadre de cette nouvelle exposition intitul\u00e9e&nbsp;<em>Oasis<\/em>, une r\u00e9flexion autour du c\u00e9l\u00e8bre&nbsp;<em>Manuscrit de&nbsp;Voynich<\/em>, ouvrage anonyme datant du 15<sup>e<\/sup>\u202fsi\u00e8cle, contenant de nombreuses planches illustr\u00e9es de botanique et de biologie, et \u00e9crit dans une langue rest\u00e9e ind\u00e9chiffrable \u00e0 ce jour.&nbsp; L\u2019installation comprend une vaste sculpture&nbsp;tubulaire en acier \u00e9maill\u00e9 et une s\u00e9rie de petites \u0153uvres murales en \u00e9mail vitrifi\u00e9 color\u00e9. La notion de \u00ab\u202fpage\u202f\u00bb a toujours \u00e9t\u00e9 centrale dans le travail de Deschamps et se caract\u00e9rise ici par une recherche autour de la couleur et du motif floral et v\u00e9g\u00e9tal mis en forme gr\u00e2ce un alphabet intime et r\u00e9invent\u00e9.&nbsp;<\/p>\n\n\n\n<p>La sculpture intitul\u00e9e&nbsp;<em>Failed&nbsp;Ink, Une encre qui n\u2019a pas tenu sa promesse,&nbsp;<\/em>prend l\u2019aspect d\u2019un syst\u00e8me v\u00e9g\u00e9tal en \u00e9mail blanc dont la source semble se situer au sous-sol de la galerie. Quelques rameaux donnent naissance \u00e0 des bourgeons remplis d\u2019un m\u00e9lange de poudre d\u2019\u00e9mail color\u00e9 et d\u2019eau. Des fleurs en cuivre font \u00e9cho aux filaments m\u00e9talliques et aux motifs travaill\u00e9s dans les petites \u0153uvres murales. Ces derni\u00e8res marquent un tournant dans la pratique de l\u2019artiste qui, dans le contexte de pand\u00e9mie actuelle, a \u00e9t\u00e9 forc\u00e9e de repenser ses proc\u00e9d\u00e9s de cr\u00e9ation. Deschamps a choisi d\u2019utiliser la technique traditionnelle de l\u2019\u00e9mail cloisonn\u00e9 au fil d\u2019argent sterling pour exprimer la beaut\u00e9 du v\u00e9g\u00e9tal, cr\u00e9ant une v\u00e9ritable oasis dans l\u2019univers min\u00e9ral du bunker de la galerie.&nbsp;<\/p>\n<div style='display: none;'>Anne Roger, Celia Perrin Sidarous, Marie-Michelle Deschamps<\/div>","protected":false},"excerpt":{"rendered":"<strong>Bradley Ertaskiran,<\/strong> Montr\u00e9al<\/br>du 11 f\u00e9vrier au 13 mars 2021<\/br>","protected":false},"author":5,"featured_media":2278,"template":"","categories":[884],"numeros":[338],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[1057],"artistes":[1836,1818],"type_compte-rendu":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.1 (Yoast SEO v22.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Celia Perrin Sidarous &amp; Marie-Michelle Deschamps &#8211; Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/en\/reviews\/celia-perrin-sidarous-marie-michelle-deschamps\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Celia Perrin Sidarous &amp; 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