{"id":185183,"date":"2013-03-14T14:13:00","date_gmt":"2013-03-14T19:13:00","guid":{"rendered":"https:\/\/esse.ca\/compte-rendu\/brooklyn-montreal\/"},"modified":"2023-05-11T10:00:48","modified_gmt":"2023-05-11T15:00:48","slug":"brooklyn-montreal","status":"publish","type":"compte-rendu","link":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/","title":{"rendered":"<em>Brooklyn-Montr\u00e9al<\/em>"},"content":{"rendered":"\n<pre class=\"wp-block-verse\">[In French]\n\nChass\u00e9-crois\u00e9 diplomatique, l\u2019\u00e9v\u00e9nement&nbsp;<em>Brooklyn-Montr\u00e9al<\/em>&nbsp;examinait pour la premi\u00e8re fois les pratiques d\u2019artistes issues de ces deux lieux phares de l\u2019art contemporain. Se rejoignant \u00e0 plusieurs \u00e9gards, ces cit\u00e9s nord-am\u00e9ricaines se sont jumel\u00e9es, l\u2019espace de quelques mois. L\u2019entreprise amorc\u00e9e il y a 3 ans, chapeaut\u00e9e par le Centre Clark et coordonn\u00e9e par Claudine Khelil, Yann Pocreau et Alun Williams de Parker\u2019s Box, regroupait au total 16 institutions et pr\u00e8s de 40 artistes. Laissant le libre arbitre aux partenaires, les organisateurs ont pr\u00e9f\u00e9r\u00e9 ne pas imposer de th\u00e8me et miser sur l\u2019\u00e9change multidisciplinaire. L\u2019id\u00e9e de dialogue qui sous-tendait la manifestation \u00e9tait particuli\u00e8rement palpable au sein des institutions initiatrices. Fortement imbriqu\u00e9es, les \u0153uvres de Julie Favreau et de Patrick Martinez, de Mathieu Beaus\u00e9jour et de Steven Brower constituaient la m\u00e9taphore parfaite de l\u2019\u00e9v\u00e9nement o\u00f9 artistes et \u0153uvres se rencontrent et se contaminent. La tournure de l\u2019\u00e9v\u00e9nement \u00e0 Brooklyn diff\u00e9rait l\u00e9g\u00e8rement de celle de Montr\u00e9al, comme en t\u00e9moignent les prochains exemples.<\/pre>\n\n\n\n<p>Tribune de la vid\u00e9o actuelle,&nbsp;<em>Vid\u00e9ozones<\/em>&nbsp;est une compilation assembl\u00e9e par le collectif La Fabrique d\u2019expositions et Boshko Boskovic. Projet\u00e9e en ouverture \u00e0 Manhattan \u00e0 l\u2019Anthology Film Archives, un lieu d\u00e9di\u00e9 aux films et aux vid\u00e9os ind\u00e9pendants, exp\u00e9rimentaux et avant-gardistes, cette \u0153uvre \u00e0 l\u2019encha\u00eenement rigoureux a permis aux artistes vid\u00e9astes de s\u2019inscrire au sein d\u2019un lieu mythique en profitant de conditions de pr\u00e9sentation optimales pour l\u2019observation. Ce d\u00e9sir d\u2019ennoblissement \u00e9tait aussi pr\u00e9sent au Smack Mellon, o\u00f9 Aude Moreau avait choisi de proposer un tout autre registre que celui pr\u00e9sent\u00e9 au MACM. D\u00e9ployant, dans l\u2019espace industriel, un immense tapis persan construit \u00e0 partir de deux tonnes de sucre blanc raffin\u00e9, l\u2019installation spectaculaire et \u00e9ph\u00e9m\u00e8re&nbsp;<em>Sugar Carpet<\/em>s\u00e9duit. Bien que cette \u0153uvre ait d\u00e9j\u00e0 \u00e9t\u00e9 pr\u00e9sent\u00e9e \u00e0 quelques reprises, elle prend une nouvelle apparence au sein de cette ancienne chaudi\u00e8re, les colonnes qui la ceinturent la rendant encore plus majestueuse. Par cette cr\u00e9ation en trompe-l\u2019\u0153il, Moreau livre une r\u00e9flexion sur l\u2019industrie de l\u2019art et sur la consommation culturelle. Cette artiste aux id\u00e9es de grandeur, comme l\u2019ont d\u00e9montr\u00e9 ses deux \u0153uvres vid\u00e9ographiques dans le cadre de cet \u00e9v\u00e9nement, permet d\u2019attiser la curiosit\u00e9 et de mettre l\u2019emphase sur la pr\u00e9sence qu\u00e9b\u00e9coise.<\/p>\n\n\n\n<p>Ici comme ailleurs, les artistes soul\u00e8vent des questionnements et ont un int\u00e9r\u00eat sensible pour la politique, la culture populaire, l\u2019archivage, le paysage et la performance. Cet \u00e9v\u00e9nement porteur de vision et d\u2019ambition est une initiative louable. Il s\u2019agit d\u2019une amorce qui, comme le t\u00e9moigne l\u2019inscription de l\u2019installation in situ de Aude Moreau sur la Tour de la bourse \u00e0 Montr\u00e9al en 2010, permet aux artistes qu\u00e9b\u00e9cois de&nbsp;<em>SORTIR<\/em>, de rayonner \u00e0 l\u2019ext\u00e9rieur des fronti\u00e8res et de s\u2019approprier d\u2019autres espaces culturels de production et de commerce.<\/p>\n<div style='display: none;'>Anne Philippon, Aude Moreau<\/div>","protected":false},"excerpt":{"rendered":"<strong>Lieux divers, New York<\/strong> <br>Du 10 janvier au 2 f\u00e9vrier 2013<\/br><\/br>","protected":false},"author":1303,"featured_media":189067,"template":"","categories":[281,884],"numeros":[3437],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[3386],"artistes":[4043],"type_compte-rendu":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.1 (Yoast SEO v22.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Brooklyn-Montr\u00e9al &#8211; Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Brooklyn-Montr\u00e9al\" \/>\n<meta property=\"og:description\" content=\"Lieux divers, New York Du 10 janvier au 2 f\u00e9vrier 2013\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/fr-ca.facebook.com\/revue.esse\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-11T15:00:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/esse.ca\/wp-content\/uploads\/2013\/03\/78-IM_Philippon_Moreau_EFrossard_2299_CMYK.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@revue_esse\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Brooklyn-Montr\u00e9al &#8211; Esse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/","og_locale":"en_US","og_type":"article","og_title":"Brooklyn-Montr\u00e9al","og_description":"Lieux divers, New York Du 10 janvier au 2 f\u00e9vrier 2013","og_url":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/","og_site_name":"Esse","article_publisher":"https:\/\/fr-ca.facebook.com\/revue.esse","article_modified_time":"2023-05-11T15:00:48+00:00","og_image":[{"width":1920,"height":1280,"url":"https:\/\/esse.ca\/wp-content\/uploads\/2013\/03\/78-IM_Philippon_Moreau_EFrossard_2299_CMYK.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@revue_esse","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/","url":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/","name":"Brooklyn-Montr\u00e9al &#8211; Esse","isPartOf":{"@id":"https:\/\/esse.ca\/#website"},"primaryImageOfPage":{"@id":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/#primaryimage"},"image":{"@id":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/#primaryimage"},"thumbnailUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2013\/03\/78-IM_Philippon_Moreau_EFrossard_2299_CMYK.jpg","datePublished":"2013-03-14T19:13:00+00:00","dateModified":"2023-05-11T15:00:48+00:00","breadcrumb":{"@id":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/esse.ca\/en\/reviews\/brooklyn-montreal\/#primaryimage","url":"https:\/\/esse.ca\/wp-content\/uploads\/2013\/03\/78-IM_Philippon_Moreau_EFrossard_2299_CMYK.jpg","contentUrl":"https:\/\/esse.ca\/wp-content\/uploads\/2013\/03\/78-IM_Philippon_Moreau_EFrossard_2299_CMYK.jpg","width":1920,"height":1280,"caption":"Aude Moreau, Sugar Carpet, Smack Mellon, Brooklyn, 2013. 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