{"id":163371,"date":"2022-04-27T16:55:00","date_gmt":"2022-04-27T21:55:00","guid":{"rendered":"https:\/\/esse.ca\/compte-rendu\/evelyne-toussaintpostcolonial-decolonial-la-preuve-par-lart\/"},"modified":"2023-05-24T11:02:53","modified_gmt":"2023-05-24T16:02:53","slug":"evelyne-toussaintpostcolonial-decolonial-la-preuve-par-lart","status":"publish","type":"compte-rendu","link":"https:\/\/esse.ca\/en\/reviews\/evelyne-toussaintpostcolonial-decolonial-la-preuve-par-lart\/","title":{"rendered":"<strong>\u00c9velyne Toussaint<br><em>Postcolonial\/D\u00e9colonial. La preuve par l\u2019art<\/em><\/strong>"},"content":{"rendered":"\n<pre class=\"wp-block-verse\">[In French]<\/pre>\n\n\n\n<pre class=\"wp-block-verse\">Donnant suite \u00e0 une s\u00e9rie de journ\u00e9es d\u2019\u00e9tudes coorganis\u00e9es par les Abattoirs et l\u2019Universit\u00e9 Jean Jaur\u00e8s \u00e0 Toulouse entre 2016 et 2018, la publication collective <em>Postcolonial\/D\u00e9colonial. La preuve par l\u2019art<\/em> rassemble une vingtaine de textes articulant l\u2019art et la th\u00e9orie postcoloniale, qui est globalement d\u00e9finie d\u2019entr\u00e9e de jeu comme un ensemble de concepts, incluant \u00ab\u2009leurs recompositions d\u00e9coloniales\u2009\u00bb (p.&nbsp;16). Convoquant un vaste champ de recherche concern\u00e9 par la subalternisation et la racialisation des subjectivit\u00e9s extra-occidentales issues de la colonisation, la publication dirig\u00e9e par \u00c9velyne Toussaint se donne pour objectif de mettre en exergue le r\u00f4le jou\u00e9 par les arts dans cette mouvance qui sert \u00e0 la fois de mode de r\u00e9sistance et de puissance de r\u00e9invention.<\/pre>\n\n\n\n<p>En introduction sont r\u00e9it\u00e9r\u00e9es les deux ambitions principales de cette pens\u00e9e qui oscille entre d\u00e9construction et reconstruction. Critique du caract\u00e8re colonial de la civilisation occidentale dans laquelle nous vivons, elle est aussi anim\u00e9e par la n\u00e9cessit\u00e9 d\u2019esquisser un autre avenir possible en faisant \u00e9merger de nouveaux rapports au savoir et modes de vivre ensemble.<\/p>\n\n\n\n<p>Le parti pris des auteur\u00b7rice\u00b7s est de faire raisonner le champ artistique dans ce projet th\u00e9orique et militant \u00e0 partir d\u2019exemples concrets. Abordant tant\u00f4t les \u0153uvres critiques d\u2019une mus\u00e9ologie raciste ou eurocentr\u00e9e comme celles de Fred Wilson ou de Sarkis, tant\u00f4t la mise en forme archivistique de travaux d\u2019artistes-chercheures comme Lidwien van de Ven et Voluspa Jarpa sur l\u2019histoire coloniale, les courts chapitres du collectif \u00e9rigent tous \u00e0 leur fa\u00e7on l\u2019art en lieu d\u2019affrontement des cultures, et par elles, des id\u00e9ologies et des formes de domination de toutes sortes. C\u2019est au c\u0153ur des \u0153uvres que se r\u00e9v\u00e8le la complexit\u00e9 d\u2019une d\u00e9colonisation de l\u2019Occident, que sugg\u00e8rent entre autres l\u2019analyse (toutefois un peu tendancieuse) de Jean Deilhes du film <em>Le Fleuve<\/em> de Jean Renoir et le commentaire (trop bref) de Fabiana Ex-Souza sur une toile du peintre anglais Johann Zoffany.<\/p>\n\n\n\n<p>Alors que trop peu d\u2019\u00e9tudes en langue fran\u00e7aise abordent ce sujet pourtant brulant d\u2019actualit\u00e9, <em>Postcolonial\/D\u00e9colonial. La preuve par l\u2019art<\/em> offre des pistes de r\u00e9flexion pour sortir des g\u00e9n\u00e9ralit\u00e9s et des v\u0153ux pieux. Il ne faut toutefois pas y chercher des rep\u00e8res pour clarifier la terminologie parfois abstruse de ce champ de recherche. Comme en t\u00e9moigne le titre qui h\u00e9site entre deux termes, le livre fait le pari risqu\u00e9 de r\u00e9unir dans une m\u00eame \u00ab\u2009constellation\u2009\u00bb (p.&nbsp;19) des concepts aussi lourds de sens que sont le postcolonial et le d\u00e9colonial, l\u2019hybridit\u00e9 du genre, la mondialisation et l\u2019intersectionnalit\u00e9. M\u00eame si quelques textes apportent des pr\u00e9cisions int\u00e9ressantes (Alfredo Gomez-Muller, Roberta Garieri, Ana Marcela Montanaro Mena), l\u2019int\u00e9r\u00eat est donc moins de proposer un appareil th\u00e9orique op\u00e9ratoire que des analyses pr\u00e9cises et bien document\u00e9es illustrant des mani\u00e8res par lesquelles la lutte se m\u00e8ne autour des arts et de la culture. \u00c0 la lecture, l\u2019art en ressort comme preuve incontestable pour appuyer une mouvance politique que ses pourfendeurs mettent constamment \u00e0 proc\u00e8s.<\/p>\n<div style='display: none;'>Benoit Jodoin, \u00c9velyne Toussaint<\/div>","protected":false},"excerpt":{"rendered":"<strong>Presses universitaires du Midi<\/strong><br>Toulouse, 2021, 204 p.<\/br>","protected":false},"author":1303,"featured_media":162476,"template":"","categories":[884],"numeros":[2758],"disciplines":[3353],"statuts":[],"checklist":[],"auteurs":[1067],"artistes":[2663],"type_compte-rendu":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.1 (Yoast SEO v22.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00c9velyne ToussaintPostcolonial\/D\u00e9colonial. 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