{"id":146569,"date":"2019-09-01T07:00:00","date_gmt":"2019-09-01T12:00:00","guid":{"rendered":"https:\/\/esse.ca\/compte-rendu\/karine-payette\/"},"modified":"2022-02-09T13:38:32","modified_gmt":"2022-02-09T18:38:32","slug":"karine-payette","status":"publish","type":"compte-rendu","link":"https:\/\/esse.ca\/en\/reviews\/karine-payette\/","title":{"rendered":"Karine Payette"},"content":{"rendered":"\n
\"\"
Karine Payette<\/strong>
Point de bascule\/Tipping Point,<\/em> couverture et p. 100-101, 2019.
Photos : Simon Guibord (droite), permission; de la Maison des arts de Laval, Laval<\/figcaption><\/figure>\n\n\n\n
[In French]\n\nPremi\u00e8re monographie sur le travail de Karine Payette, Point de bascule\/Tipping Point <\/em>propose la synth\u00e8se d\u2019une d\u00e9marche qui interroge le rapport de l\u2019Autre \u00e0 son environnement. Cet Autre, ici, s\u2019incarne dans l\u2019animal ou dans ce que Julia Roberge Van Der Donckt appelle \u00ab\u2009la pr\u00e9sence animale\u2009\u00bb, un concept qui sous-tend l\u2019invisibilit\u00e9, voire l\u2019absence m\u00eame de l\u2019animal. Outre Roberge Van Der Donckt, Anne Philippon et B\u00e9n\u00e9dicte Ramade pr\u00e9sentent des analyses qui replacent le cheminement de l\u2019artiste et ses \u0153uvres dans divers contextes : \u00e9thique, esth\u00e9tique, environnemental et historique. En r\u00e9sulte un tr\u00e8s beau livre con\u00e7u comme accompagnement \u00e0 l\u2019exposition Karine Payette. Espaces sans esp\u00e8ces produite et pr\u00e9sent\u00e9e \u00e0 la Salle Alfred-Pellan de la Maison des arts de Laval au d\u00e9but de 2019.<\/pre>\n\n\n\n
Dans le texte \u00e9ponyme, Philippon retrace l\u2019\u00e9volution de la carri\u00e8re de Payette et aborde les concepts \u00e0 l\u2019\u0153uvre dans son parcours. L\u2019\u00e9tude de l\u2019espace environnant se transforme peu \u00e0 peu en questionnement sur les rapports entre les esp\u00e8ces. Aux objets et aux lieux du quotidien des d\u00e9buts s\u2019ajoute la figure animale. V\u00e9ritable \u00ab\u2009point de bascule\u2009\u00bb dans la d\u00e9marche de l\u2019artiste, l\u2019arriv\u00e9e de l\u2019animal renforce une recherche sur l\u2019\u00ab\u2009entredeux\u2009\u00bb, c\u2019est-\u00e0-dire sur les tensions entre familiarit\u00e9 et \u00e9tranget\u00e9, entre domination et hybridation dans un mouvement de r\u00e9ciprocit\u00e9. Au final, Payette travaille \u00e0 \u00ab\u2009r\u00e9\u00e9valuer notre mani\u00e8re d\u2019habiter le monde\u2009\u00bb.<\/p>\n\n\n\n

\u00ab\u2009Revisiter le regard humain\u2009\u00bb de Roberge Van Der Donckt se penche sur la repr\u00e9sentation animale pour la mettre en lien avec l\u2019\u00e9volution du regard humain. L\u2019auteure rappelle qu\u2019aujourd\u2019hui, la question animale est d\u00e9battue plus que jamais dans les sph\u00e8res politique, publique et culturelle, mettant ainsi \u00e0 mal la conception anthropocentriste du monde. Dans son travail, Payette aborde plusieurs de ces enjeux en insistant sur les tensions et les rapprochements qu\u2019ils occasionnent. C\u2019est \u00e0 travers la notion de captivit\u00e9, entre autres, que l\u2019artiste pousse l\u2019exploration des th\u00e8mes de l\u2019habitat et du vivant le plus loin.<\/p>\n\n\n\n

Enfin, le troisi\u00e8me texte se penche sur l\u2019exposition Espaces sans esp\u00e8ces. Dans \u00ab\u2009Histoires naturelles\u2009\u00bb, Ramade analyse \u00ab\u2009l\u2019animalit\u00e9 en Anthropoc\u00e8ne\u2009\u00bb et propose qu\u2019elle rev\u00eate \u00e0 la fois la forme de l\u2019absence et celle de l\u2019hybride, deux approches pr\u00e9conis\u00e9es par l\u2019artiste dans son travail. Elle conclut avec justesse : \u00ab\u2009L\u2019histoire naturelle \u00e0 laquelle contribue Karine Payette est celle d\u2019une observation minutieuse qui joue des paradoxes de la ressemblance pour mieux construire une nouvelle r\u00e9alit\u00e9 fond\u00e9e sur un imaginaire de la perte et de la m\u00e9tamorphose.\u2009\u00bb<\/p>\n\n\n\n

Aux trois textes s\u2019ajoute une riche documentation visuelle, qui suit l\u2019ordre chronologique de r\u00e9alisation des \u0153uvres, dans la deuxi\u00e8me moiti\u00e9 du livre. Un inventaire complet des \u0153uvres, une biobibliographie de l\u2019artiste, une liste des expositions et des r\u00e9sidences, une revue de presse et la traduction de tout le contenu compl\u00e8tent l\u2019ouvrage et font de Point de bascule\/Tipping Point<\/em> une importante r\u00e9f\u00e9rence non seulement sur le travail de Karine Payette, mais aussi sur les enjeux artistiques au c\u0153ur des pratiques autour de la figure de l\u2019animal.<\/p>\n
Karine Payette, Sophie Drouin<\/div>","protected":false},"excerpt":{"rendered":"Maison des arts de Laval, <\/br>Laval, 2019, 137 p.<\/br>","protected":false},"author":5,"featured_media":146566,"template":"","categories":[884],"numeros":[697],"disciplines":[],"statuts":[],"checklist":[],"auteurs":[906],"artistes":[2026],"type_compte-rendu":[],"yoast_head":"\nKarine Payette – Esse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/esse.ca\/en\/reviews\/karine-payette\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Karine Payette\" \/>\n<meta property=\"og:description\" content=\"Maison des arts de Laval, Laval, 2019, 137 p.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/esse.ca\/en\/reviews\/karine-payette\/\" \/>\n<meta property=\"og:site_name\" content=\"Esse\" 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