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  1. Haus der Kunst, Munich, We would be floating away from the dirty past, Laure Prouvost

    ... objectification, reminiscent of feminist artworks like Yoko Ono’s Touch Poem for Group of People (1963), a one-line imperative to ...

    jeremi - 01/11/2017 - 12:09

  2. Haus der Kunst, Munich, We would be floating away from the dirty past, Laure Prouvost

    ... objectification, reminiscent of feminist artworks like Yoko Ono’s Touch Poem for Group of People (1963), a one-line imperative to ...

    jeremi - 01/11/2017 - 11:24

  3. Dossier | Institutional Recognition and New Curatorial Practices

    ... Momus), Douglas Coupland, Karl Holmqvist, Maurizio Nannucci, Yoko Ono, Mai-Thu Perret, Emilio Prini, Tomas Vanek, Tris Vonna-Michell, Lawrence ...

    Abonnement - 03/24/2020 - 11:21

  4. Dossier | Valorisations institutionnelles et nouvelles pratiques curatoriales

    ... Momus), Douglas Coupland, Karl Holmqvist, Maurizio Nannucci, Yoko Ono, Mai-Thu Perret, Emilio Prini, Tomas Vanek, Tris Vonna-Michell, Lawrence ...

    Abonnement - 03/24/2020 - 11:14

  5. Dossier | Staging the Institution and the Politics of the Performative

    ... in Six Things We Couldn’t Do, But Can Do Now (2004); Yoko Ono’s seminal Cut Piece (1964) for his performance Figure de style ...

    Abonnement - 04/16/2020 - 14:15

  6. Dossier | La mise en scène de l’institution et des politiques de l’art performance

    ... Do, But Can Do Now (2004) ; la performance fondatrice de Yoko Ono, Cut Piece (1964), pour sa performance Figure de style (2008) ; ...

    Abonnement - 04/16/2020 - 14:15

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