Search | Page 3 | esse arts + opinions

Search

Search results

  1. Dossier | Un-designing: Serge Murphy, Architecture and Felt Time

    ... concern for how gestural potential becomes enshrouded in language. The odd assemblages on display incite us to imagine the actions by ... as old as mass production itself. As early as 1854, British art critic John Ruskin argued that, “the demand for perfection is always a ...

    Abonnement - 03/26/2020 - 10:56

  2. Emeka Ogboh, The Power Plant – Here We Are Here: Black Canadian Contemporary Art, Royal Ontario Museum, Toronto

    ... 2018 Here We Are Here: Black Canadian Contemporary Art Royal Ontario Museum, Toronto, January 27 — April 22, 2018 ... Sango, Douala, Kikongo, and Lingala. The names of each language are printed on the floor, and the speakers have been adjusted to ...

    Catherine - 09/12/2018 - 11:47

  3. Emeka Ogboh, The Power Plant – Here We Are Here: Black Canadian Contemporary Art, Royal Ontario Museum, Toronto

    ... 2018 Here We Are Here: Black Canadian Contemporary Art Royal Ontario Museum, Toronto, January 27 — April 22, 2018 ... Sango, Douala, Kikongo, and Lingala. The names of each language are printed on the floor, and the speakers have been adjusted to ...

    Catherine - 09/12/2018 - 11:46

  4. Dossier | Resemblance, Doubt, and Ruin

    ... to be so. (1) Out of curiosity, a bystander asks the art historian, “Can we say that an image resembles reality?” The latter ... view, image is representation in the same way as written language is: it is just as conventional, constructed, and symbolic. In this ...

    Abonnement - 05/13/2020 - 11:22

  5. Article | Theaster Gates An Architecture Waiting to be Used

    ... d'exposition | exhibition view, The Museum of Contemporary Art, Los Angeles, 2011. Photo : permission de | courtesy of Kavi Gupta Gallery, ... a small mallet to set off an alarm. Gates mines both the language and iconography of emergency to make an oblique, yet nonetheless ...

    Abonnement - 03/30/2020 - 15:44

  6. Dossier | Immediate Memorials: The Implicit Celebration of Communal Mourning

    ... of the whole. Rarely, if ever, discussed in the context of art, immediate memorials reflect inspirations shared by many artists and offer ... it seemed, room for all and everything. The Aesthetic Language of Immediate Memorials Although they have been denigrated in the ...

    jeremi - 09/18/2019 - 10:18

  7. Anna Maria Maiolino, Whitechapel Gallery, London, U.K.

    ... to note, to feel in your very bones, the terrible erosion of language, its shift to something co-opted, manipulated, and emptied of meaning, ... tactile, confronting, and political oeuvre. “Art is the activist,” Maiolino has said. “Art is a political exercise. When ...

    Catherine - 01/08/2020 - 15:25

  8. Anna Maria Maiolino, Whitechapel Gallery, London, U.K.

    ... to note, to feel in your very bones, the terrible erosion of language, its shift to something co-opted, manipulated, and emptied of meaning, ... tactile, confronting, and political oeuvre. “Art is the activist,” Maiolino has said. “Art is a political exercise. When ...

    Catherine - 01/08/2020 - 15:25

  9. Dossier | Derek Sullivan. More Young Americans

    ... histories of modernist design, abstraction, and conceptual art as a floating field of signs, paying particular attention to recurring ... collages, and found images that borrow from the visual language of geometric abstraction: the textile patterns of Lyubov Popova and ...

    Abonnement - 03/31/2020 - 17:17

  10. MACBA Collection: Beneath the Surface, Museu d’Art Contemporani de Barcelona

    ... Empathy 2019 Museu d’Art Contemporani de Barcelona Julia Skelly ... of those materials to offer an alternative expressive language to the stripped-down sculptural language of minimalism. Bourgeois, for ...

    Abonnement - 01/17/2019 - 15:03

Pages

Subscribe to the Newsletter

 Retrouvez nous sur Twitter !Retrouvez nous sur Facebook !Retrouvez nous sur Instagram !

Publications



Archives


Features



Shop



esse arts + opinions

Postal address
C.P. 47549,
Comptoir Plateau Mont-Royal
Montréal (Québec) Canada
H2H 2S8

Office address
2025 rue Parthenais, bureau 321
Montréal (Québec)
Canada H2K 3T2

E. : revue@esse.ca
T. : 1 514-521-8597