Emily Promise Allison

Dream Sequence

Maeve Hanna
Untitled Art Society, Calgary June 3, 2018
Emily Promise Allison Dream Sequence, performance, Untitled Art Society, Calgary, 2018. Photos : Elyse Bouvier, courtesy of the artist & Untitled Art Society
Untitled Art Society, Calgary June 3, 2018
Emily Promise Allison
Dream Sequence, performance, Untitled Art Society, Calgary, 2018.
Photos : Elyse Bouvier, courtesy of the artist & Untitled Art Society
[En anglais]
Wilted carrots dangling from an armature built around the artist. Silver feet and hands dancing on the grass among flowers. The artist’s long blonde tresses hiding her face reflected in a mirror. At the 4th Street Lilac Festival (Calgary) Emily Promise Allison swirled on a grassy knoll allowing the audience to join her in her reveries. Dream Sequence, commissioned by Untitled Art Society, was a durational performance that intertwined dreams and reality in a magical dilemma: how to bring our nighttime dreams into our daytime lives lit by the sun.

Over the course of four hours, Promise Allison brought together a collection of disparate and banal objects: vases, water, balloons, flowers, carrots, bananas, candles, tomatillos, mirrors, gridded structures, and silver spray paint, in a series of strange and playful scenarios. A banana is locked in a cage-like structure, much to the chagrin of the men in the audience. The artist’s silver painted hands submerged in arm-length vases full of water, she studying them carefully as bubbles rose and fell. Small translucent balls dropped onto a mirror, rolled towards the hands of the audience. Small children reached out towards her and became equal participants, as if crossing a veil into the liminal space she created.

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This article also appears in the issue 95 - Empathy
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