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  1. Rivers in the Text: Fraser (30.11.12)

    ... national des beaux-arts du Québec, and the Musée d’art contemporain de Montréal, and in private collections such as Bennett Jones ... materials reimagined, her artwork speaks a subterranean language of light, movement, and visceral sensation, always in consideration of ...

    Catherine - 11/26/2013 - 11:36

  2. Rivers in the Text: Fraser (30.11.12)

    ... national des beaux-arts du Québec, and the Musée d’art contemporain de Montréal, and in private collections such as Bennett Jones ... materials reimagined, her artwork speaks a subterranean language of light, movement, and visceral sensation, always in consideration of ...

    Catherine - 11/26/2013 - 11:36

  3. Mathieu Lefevre: His Life, His Art as One Exhibition

    ... Mathieu Lefevre, My Bike Disguised as Contemporary Art, 2011. Photo : Guy L'Heureux ... this part of the One Exhibition you see Mathieu’s love of language, of words, of word games, of playfulness as well as his passion for ...

    Catherine - 06/27/2018 - 11:44

  4. Mathieu Lefevre: His Life, His Art as One Exhibition

    ... Mathieu Lefevre, My Bike Disguised as Contemporary Art, 2011. Photo : Guy L'Heureux ... this part of the One Exhibition you see Mathieu’s love of language, of words, of word games, of playfulness as well as his passion for ...

    Catherine - 06/27/2018 - 11:43

  5. Article | France-Algeria, Go-betweens

    ... the place and questioning of these issues in contemporary art. In this regard, the work done in France and around the world by young ... for handing down, and the necessity to forge ties through language, but also of the barrier language presents: Arab for the artist’s ...

    jeremi - 10/22/2014 - 13:52

  6. Article | France-Algérie, Go-betweens

    ... Kader Attia, Moucharabieh, Musée d'art contemporain de Lyon, France, 2006. Photo: Blaise Adilon, courtesy : ... for handing down, and the necessity to forge ties through language, but also of the barrier language presents: Arab for the artist’s ...

    jeremi - 04/15/2015 - 15:09

  7. Dossier | Fear and Its Double. (Real and Imaginary) Fears in Performance Art from Latin America

    ... and Its Double. (Real and Imaginary) Fears in Performance Art from Latin America By Alexander Del Re & Patricia Contreras Fuentes ... “social unease.” Haitian immigrants, speaking their own language (Haitian Creole), have often inspired “fears and distrust” among ...

    jeremi - 10/23/2014 - 11:27

  8. Dossier | Which Interactions in Contemporary Art?

    ... Actions Which Interactions in Contemporary Art? By Yaël Kreplak A Linguistic Elucidation Although the ... the artist because he or she is not present. I employ the language paradigm metaphorically here, of course, but I would like to avoid ...

    jeremi - 10/22/2014 - 16:28

  9. Dossier | La peur et son double : peurs réelles et imaginaires en art performance latino-américain

    ... La peur et son double : peurs réelles et imaginaires en art performance latino-américain Par Alexander Del Re & Patricia Contreras ... Les immigrants haïtiens, qui parlent leur propre language (le créole d’Haïti), ont souvent inspiré « des peurs et de la ...

    jeremi - 10/23/2014 - 11:24

  10. Dossier | The Perishable Papers of Pierre Pilonchéry

    ... up a mosaic; the sales pitch unravels and gives way to a new language. The catchy pictures become fragmented to form a new body, an infinite ... is to disturb the clear-cut distinctions we maintain between art and life. In an operation of visual recycling, the impoverished and ...

    jeremi - 10/22/2014 - 16:22

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